{"title":"All 45s","description":"","products":[{"product_id":"mystiques-so-good-to-have-you-home-again-bw-put-out-the-fire","title":"So Good To Have You Home Again b\/w Put Out The Fire","description":"\u003cp\u003eFeaturing brothers Greg and Larry Magee, Kevin Rowan, and Basil Hughes, the Mystiques were a prodigious teenage band discovered at deep south side Fenger High’s talent show by Chess recording artist King Fleming. Their voices betrayed their age, and shortly after, Fleming had them in the studio cutting “Put Out the Fire” and “So Good to Have You Home Again” for an unambitious release on the miniscule Orr label. Dead on the vine, Fleming brought the group to the attention of Twinight, who in January of 1969 gave the single a courtesy promo-only release and promptly deleted the title. \u003c\/p\u003e\n","brand":"Twinight","offers":[{"title":"45","offer_id":40259336634566,"sku":"TWI112lp","price":12.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":40259336601798,"sku":"TWI112dig","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539202029.png?v=1626880340"},{"product_id":"george-mcgregor-the-bronzettes-temptation-is-hard-to-fight-bw-everytime-i-wake-up","title":"Temptation Is Hard To Fight b\/w Everytime I Wake Up","description":"\u003cp\u003eFor the third release on the freshly minted Twilight label (Twinight was still a few releases away from becoming a reality), it was already establishing itself as a harbor for eccentric sounds. From producer Jimmy Jones first pedal steel wail to the loping waltz rhythms, “Temptation Is Hard To Fight” comes out of leftfield as one of the most unique soul ballads recorded in Chicago in the 1960s. Jones brought in a girlfriend and few of her friends for wo-oo-oo-oo-ooohs, giving the cut an amature, yet haunted feel. \"Every Time I Wake Up\" is a thoroughly catchy mid-tempo R\u0026amp;B workout, featuring George McGregor's brother Billy fresh off his “Mr. Shy” sessions.\u003c\/p\u003e\n","brand":"Twinight","offers":[{"title":"Digital","offer_id":40259385327814,"sku":"TWI102digital","price":2.0,"currency_code":"USD","in_stock":true},{"title":"45","offer_id":40259385360582,"sku":"TWI102lp","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539201994.png?v=1626880338"},{"product_id":"nate-evans-pardon-my-innocent-heart-bw-main-squeeze","title":"Pardon My Innocent Heart b\/w Main Squeeze","description":"\u003cp\u003eWith this, easily among themost sought-after 45s on \u003ca href=\"http:\/\/numerogroup.ten-grand.com\/products\/eccentric-soul-twinights-lunar-rotation\"\u003eTwinight,\u003c\/a\u003e Gary, Indiana’s own Nate “Tobacco Road” Evans turned in a stunning 1972 double-sider. The single is best regarded for \"Main Squeeze,\" a triumphant mid-tempo number with uplifting horn stabs penned by Earl Randle prior to his work at Hi in Memphis. But it's Evans’ original work, “Pardon My Innocent Heart,” that's the real bottle-breaker. Dark and brooding, with backing by the Kitty Haywood singers, it's a perfect cap to Twinight's impressive five-year, 56-release gallop through the Chicago night.\u003c\/p\u003e\n\u003cp\u003eEasily among the most sought-after 45s on Twinight, Gary, Indiana’s own Nate “Tobacco Road” Evans turned in a stunning 1972 double-sider and final release for the label. The 45 is best regarded for “Main Squeeze,” a triumphant mid-tempo number with uplifting horn stabs penned by Earl Randle prior to his work at Hi in Memphis. But it's Evans’ original work, “Pardon My Innocent Heart,” that's the real bottle-breaker. Dark and brooding, with backing by the Kitty Haywood singers, it's a perfect cap to Twinight's impressive five-year, 56-release gallop through the Chicago night.\u003c\/p\u003e","brand":"Twinight","offers":[{"title":"45","offer_id":40259385721030,"sku":"TWI156lp","price":12.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":40259385655494,"sku":"TWI156dig","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539202068.png?v=1626880343"},{"product_id":"renaldo-domino-not-too-cool-to-cry-bw-nevermore","title":"Not Too Cool To Cry b\/w Nevermore","description":"\u003cp\u003eFrom Eccentric Soul: Twinight’s Lunar Rotation, Renaldo Domino’s on his knees on this begging classic, now available just the way you want it, on vinyl and spinning at 45 revs every damn minute. “Nevermore” is the flip, a solid “go away girl” b-side cut.\u003c\/p\u003e\n","brand":"Twinight","offers":[{"title":"45","offer_id":44552651112646,"sku":"TWI128lp","price":12.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":40259732668614,"sku":"TWI128dig","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539201547.png?v=1626880295"},{"product_id":"sidney-pinchback-the-schiller-street-gang-soul-strokes-bw-remind-me","title":"Soul Strokes b\/w Remind Me","description":"\u003cp\u003eHoping to cash in on the instrumental craze made popular by Cadet’s Soulful Strings project, Twinight hired journeyman guitarist Sidney Pinchback to set down a few psychedelic licks over the backing tracks for Syl Johnson’s “Different Strokes.” For “Remind Me”—credited to the Schiller Street Gang (a reference to the street Twinight co-owner Howard Bedno lived on)—Pinchback laid down fuzzy ruminations where Syl Johnson’s never-tracked vocals were slated to appear. Cut at Chess’s Ter Mar studio, the band was likely a mixture of Richard Pegue’s house band the South Shore Commission and whatever session players were hanging about that day. Both cuts have a distinct \u003cem\u003eElectric Mud\u003c\/em\u003e by way of Rotary Connection feel to them, and were slated to appear on an all-instrumental LP by the Chicago Sound Machine, which never materialized.  \u003c\/p\u003e\n","brand":"Twinight","offers":[{"title":"45","offer_id":40259733160134,"sku":"TWI114lp","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40259733061830,"sku":"TWI114dig","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539201584.png?v=1626880297"},{"product_id":"perfections-which-one-am-i-bw-why-do-you-want-to-make-me-sad","title":"Which One Am I b\/w Why Do You Want To Make Me Sad","description":"\u003cp\u003eFrom the idiosyncratic mind of Nickel and Penny labels proprietor Richard Pegue sprouted these two sweet soul gems in 1969. The Perfections were merely the latest line-up of Pegue’s high school group the Norvells, at that point made up of Lamont Boston, Claude Wyatt, Larry Williams, and William Smith. He paired a new recording, the heavenly “Which One Am I,” featuring Cindy Redd from the Voices, with the little known recording “Why Do You Want To Make Me Sad,” originally released as the Norvells on Penny. ”Which One Am I” is signature Pegue, whose eccentric and stirring productions flirted with orchestral pop and gospel, but were always steeped in the doo-wop tradition of his youth.\u003c\/p\u003e\n","brand":"Twinight","offers":[{"title":"Digital","offer_id":40259743547590,"sku":"TWI126dig","price":2.0,"currency_code":"USD","in_stock":true},{"title":"45","offer_id":40259743580358,"sku":"TWI126lp","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539201698.png?v=1626880307"},{"product_id":"stormy-the-devastator-bw-i-wont-stop-to-cry","title":"The Devastator b\/w I Won't Stop To Cry","description":"\u003cp\u003eIntended as an introduction to Stormy, the man, the myth, the legend, “The Devastator” is a boastful proto-funk number accented wonderfully by the thoroughbred backing musicians. “I Won’t Stop To Cry” has been a northern soul fave since back in the Wigan days. While the single failed to “devastate,” John Colley hit pay dirt a few months later co-writing the novelty cash-in hit “Psychedelic Soul” by Saxie Russell for the Thomas label. \u003c\/p\u003e\n","brand":"Twinight","offers":[{"title":"45","offer_id":40259744235718,"sku":"TWI104lp","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40259744202950,"sku":"TWI104dig","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539201739.png?v=1626880309"},{"product_id":"pieces-of-peace-pass-it-on-pt-1-bw-pt-2","title":"Pass It On Pt. 1 b\/w Pt. 2","description":"\u003cp\u003eThough they were the most revered group of session musicians in Chicago, the Pieces Of Peace only managed to issue one recording during their larger-than-life existence. As a live band, they backed almost every major Chicago artist at one time or another, including luminaries such as Jackie Wilson, Syl Johnson, Gene Chandler, and the Artistics.  But in their spare time, they had developed a unique, hard funk sound with Afro-centric sensibilities that had one foot in the mainstream R\u0026amp;B of their \"day job,\" and the other in Chicago’s underground scene led by Phil Cohran and his Artistic Heritage Ensemble and the Pharaohs. \"Pass It On” is an early step in the development of the Pieces Of Peace sound. Percussion heavy, lengthy bass vamps, and jazzy solos that meander well off page forced the jam to be broken out over two sides of a 45. \u003c\/p\u003e\n","brand":"Twinight","offers":[{"title":"45","offer_id":40259751346374,"sku":"TWI142lp","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40259751313606,"sku":"TWI142dig","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539201826.png?v=1626880315"},{"product_id":"rollers-knockin-at-the-wrong-door-bw-one-little-piece","title":"Knockin’ At The Wrong Door b\/w One Little Piece","description":"\u003cp\u003eSpliced alongside a handful of other Deep City instrumental takes, these two cuts were the first evidence that the grip of tapes that had turned up at famed Miami producer Willie Clarke’s ex-wife’s house would yield incredible fruit. No date was listed on the tape, but both were recorded at Criteria, and more than likely after 1969 as the melody for the former takes a heavy bite from the Jackson 5’s “I Want You Back.” Though no official Rollers records were issued in their time, the quartet of Shirley Levan, Betty Joe Johnson, Sharon Simmons, and Mary Smith—sister of Helene Smith—would later issue several singles under the Diamonettes banner. \u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"Digital","offer_id":40259756622022,"sku":"ES001dig","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Vinyl","offer_id":41151164448966,"sku":"ES001lp","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539201904.png?v=1626880321"},{"product_id":"eddie-ray-wait-a-minute-bw-wait-a-minute-instrumental","title":"Wait A Minute b\/w Wait A Minute (Instrumental)","description":"\u003cp\u003eThe unissued third single from the Prix label’s unsung star Eddie Ray, cut directly from the original 15 IPS master. Tracked in 1972 just as Clem Price and George Beter’s Columbus imprint was shutting its doors, “Wait A Minute” is a bombastic slice of uptempo Northern Soul that owes a serious debt to Curtis Mayfield. \u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"Digital","offer_id":40259757146310,"sku":"ES002dig","price":2.0,"currency_code":"USD","in_stock":true},{"title":"45","offer_id":40259757179078,"sku":"ES002lp","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539201942.png?v=1626880325"},{"product_id":"maso-poon-tang-thump-part-1-bw-part-2","title":"Poon Tang Thump Part 1 b\/w Part 2","description":"\u003cp\u003eSteve Byrd, known to his friends as “The Birdman,” was a songwriter and arranger, given to stomping around in cowboy boots and feathered ten-gallon hats, flouting his university degree in music composition. After impressing Arrow Brown with his credentials, Byrd became a regular fixture at the Bandit greystone and his Michigan Avenue Sound Orchestra was arguably the most over-the-top act ever handled by the label. \u003cbr\u003e\n\u003cbr\u003e\n1977's “Poon Tang Thump”—the Orchestra’s only output—burned through two sides of a 45, offering an epic, multipart instrumental funk suite that took its cues from Isaac Hayes, \u003cem\u003eSuperfly\u003c\/em\u003e, and the soundtrack soul of the blaxploitation era. In classic Bandit fashion, only a handful of copies of “Thump” are known to exist today.\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"Digital","offer_id":40259759407302,"sku":"ES003dig","price":2.0,"currency_code":"USD","in_stock":true},{"title":"45","offer_id":40259759440070,"sku":"ES003lp","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539201865.png?v=1626880330"},{"product_id":"triads-now-i-can-hold-my-head-up-high-bw-if-youre-looking-for-love","title":"Now I Can Hold My Head Up High b\/w If You're Looking For Love","description":"\u003cp\u003eAfter some bloody conflict around the office concerning which side of The Triads’ superb but solitary single was going to be included on our Home Schooled: The ABCs of Kid Soul compilation, an accord was finally achieved. And, yep, you guessed it, both sides see the light of day on this red-labelled slab of wax, emblazoned with the original GIMP logo. “Now I Can Hold My Head Up High” moves at something of a mid-tempo pace, but it’s just as irresistible as harder-edged flip.\u003c\/p\u003e\n\u003cp\u003eAll the way down in Tampa, Studio 70 and Gimp label proprietor Blair Mooney was chasing kid soul aspirations of his own. Backed by a hard funk ensemble, the Triads “If You’re Looking For Love” b\/w “Now I Can Hold My Head Up High” put the Jackson 5’s pop-soul on notice, but not outside of Hillsborough County. The 1975 single’s lack of national distribution crippled the Triads’ ability to grow, but regardless, the group were still a few lucky breaks away from challenging even the second tier. Mooney remembers nothing about the group, making this single the only public evidence of their existence.  \u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"Digital","offer_id":40259792273606,"sku":"ES005digital","price":2.0,"currency_code":"USD","in_stock":true},{"title":"45","offer_id":40259792339142,"sku":"ES005lp","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539202138.png?v=1626880354"},{"product_id":"wee-try-me-bw-teach-me-how","title":"Try Me b\/w Teach Me How","description":"\u003cp\u003eIn the wake of Capsoul’s collapse, songwriter Norman Whiteside was left to fend for himself in a much bleaker Columbus, Ohio. After a few misfires and false alarms, he finally found a home in (Prix recording artist) Joe King’s band Wee. A few personal problems sidelined Joe shortly thereafter, and Wee became the Norman Whiteside project. “Try Me” epitomizes Norman's vision: glimmering mid-tempo grooves that wink at disco sound without shirking their own soulful ambition. “Teach Me How” slows it down to a stepper’s tempo.\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"Digital","offer_id":40259800694982,"sku":"ES006dig1","price":2.0,"currency_code":"USD","in_stock":true},{"title":"45","offer_id":40259800727750,"sku":"ES006lp","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539202169.png?v=1626880358"},{"product_id":"eddie-the-ant-hill-mob-the-number-runner","title":"The Number Runner","description":"\u003cp class=\"dropcap\"\u003eDuring our excavation of the Boddie Recording Studio, a mysterious tape marked Ant Hill Mob turned up. On our return trip, Dante Carfagna turned up the codex for the entire studio, which lead to the discovery of this unissued Soul Kitchen 45. “Number Runner Parts 1 \u0026amp; 2\" falls in right around the time of Boddie’s Creations Unlimited 45, made while breathing the same psychedelic fumes pouring out of Thomas and Louise Boddie’s pressing plant smoke stack.\u003cbr\u003e \u003cbr\u003e Ezra “Eddie” Robitson, born into a musical family on Cleveland’s East Side, was taken under the wing of his singing aunt Ruby Carter. Her only soul single, 1971’s “What About Me” b\/w “Unlucky Girl,” was pressed at Boddie, issued on Lester Johnson’s \u003ca href=\"http:\/\/dev.numerogroup.com\/products\/eccentric-soul-the-way-out-label\"\u003eWay Out\u003c\/a\u003e label, and enjoyed modest local airplay. When Ruby’s band the Exceptional Three split, young Eddie was pulled in to handle bass for Carter’s new live band. With chops honed on the Cleveland club circuit, Eddie began drafting a band of his own. Built from fellow John F. Kennedy High alums, his Ant Hill Mob included singer Rahman Melton, trap-setter Mike Wilson, percussionists Norman Robinson and Kenny Clay, and 15-year-old Michael Hampton on guitar. Their 1972 schedule included regular gigs at the Harris family–owned Sir Rah House and Robert’s Steak House (home of the “Big Rob Hamburger”).\u003cbr\u003e \u003cbr\u003e The Ant Hill Mob name refers, of course, to Clyde, Ring-A-Ding, Mac, Danny, Rug-Bug Benny, Willy, and Kirby—the tommy gun–toting crew of gangster dwarfs that first appeared in Hanna-Barbera’s Wacky Races cartoon series. The group’s sole recording session saw them at work on a similar fantasy, detailing the lifestyle of a number runner—the pusher, essentially, for illegal, ghetto-based lottery schemes. Neither Eddie nor any member of the group, as far as he knew, ever actually worked in this lucrative field. Records show that Thomas Boddie issued “I’m A Number Runner” with a black-type-on-yellow Soul Kitchen label, pressing an absurdly optimistic 1,000 copies. Although the band members each received a copy, only one example has ever surfaced in the public sphere.\u003c\/p\u003e","brand":"Numero Group","offers":[{"title":"45","offer_id":40260682711238,"sku":"ES007lp","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40260682678470,"sku":"ES007dig","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539202205.png?v=1626880410"},{"product_id":"boddie-acetate-box","title":"Acetate Box","description":"\u003cp\u003eCulled from the Boddie Recording Company’s massive tape archive, this triple-45 box set captures the essence of Thomas Boddie’s custom recording outfit. Recorded in the late ’60s and early ’70s, the performers from all three discs are completely unknown, save for the fact that they cut two killer cuts before disappearing. Housed in a stark, white box and wrapped in Boddie-branded kraft tape for maximum minimalist effect. \u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"Digital","offer_id":40260683595974,"sku":"ES001dig","price":6.0,"currency_code":"USD","in_stock":true},{"title":"3x45","offer_id":40260683628742,"sku":"ES001box","price":17.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539015510_c0cbfe93-228b-498a-99e5-6b7d4ee9f992.jpg?v=1626880412"},{"product_id":"four-mints-no-longer-bw-endlessly","title":"No Longer b\/w Endlessly","description":"\u003cp\u003eThe story of the Capsoul master tapes is well known: after City National Bank of Columbus foreclosed on the debt the label incurred to found the city’s most successful soul label, owner Bill Moss hid the tapes at a family friend’s farm in Central Ohio, looking to dodge repossession. But a flood finished the job that the bank started, and Capsoul’s legacy was left to the hands of soul collectors who arrived a generation later. Or so everyone thought. Unearthed in songwriter Dean Francis’ basement were two then-unheard Four Mints songs, produced by Francis and recorded in the Capsoul studios with the Capsoul session musicians. “No Longer” and “Endlessly” made for a fitting postscript to the Capsoul story, told by the label’s greatest group, and pressed here to bevel-edged 45s with lovingly recreated label art—a full invocation of the magic of an original Bill Moss production.\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"Digital","offer_id":40260700078278,"sku":"ES012dig","price":3.0,"currency_code":"USD","in_stock":true},{"title":"45","offer_id":41151633850566,"sku":"ES012lp","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539202394.png?v=1626880417"},{"product_id":"deacons-fabulous-fascinators-feat-the-royal-revue-sock-it-to-me-bw-is-it-because-im-black","title":"Sock It To Me b\/w Is It Because I'm Black","description":"\u003cp\u003eFrom the mighty pen of Syl Johnson! Side A finds Syl’s brother Jimmy and his Chicago-based Deacons taking a largely instrumental stab at “Come On Sock It To Me,” replete with background party chants and laughter. The flip is from San Antonio’s Fabulous Fascinators, who turn in a stirring psychedelic-blues version of “Is It Because I’m Black.”\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"45","offer_id":40260707680454,"sku":"ES013lp","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539202441.png?v=1626880422"},{"product_id":"penny-the-quarters-you-and-me-bw-some-other-love","title":"You and Me b\/w Some Other Love","description":"\u003cp\u003eSometime in 2005, a lone box of master tapes escaped an estate sale and made its way through a network of collectors, record dealers, and “junkers” into the hands of leading Ohio soul expert Dante Carfagna, who linked them to Columbus, Ohio’s mysterious Prix label (See: Eccentric Soul: The Prix Label). A bit of research turned up Prix proprietor George Beter, who identified most of the unlabeled material. All it took was an endless series of phone calls and letters and two fields trips in Columbus. But one complete mystery wended its way onto our final Prix compilation. “You and Me,” a simple but irrepressible demo credited only to Penny \u0026amp; the Quarters, was found tacked onto a mixed studio reel. Our survey of every willing lifer left on the Columbus soul scene, including retired DJs, producers, and important local artists, produced not so much as a glimmer of recognition at the name Penny \u0026amp; the Quarters. Though we loved the song from the first play, it may’ve ended up a bit buried on our original compilation, as #18 of 19 tracks.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFour years later, Eccentric Soul: The Prix Label hadn’t exactly become a huge seller, although listeners had repeatedly told us that the unfiltered studio demos that fill out the record’s back half were true diamonds in the rough. But neither Penny nor her Quarters had appeared to claim credit for their efforts. Then, completely out of left field, we heard from respected screen actor and avowed Numero fan Ryan Gosling that Penny’s piercing bit of stripped down doo-wop was being considered for inclusion in Derek Cianfrance’s indie-weeper film Blue Valentine. What we didn’t know was that “You and Me” had won a major role in what became an indie circuit hit, and that Penny \u0026amp; the Quarters would instantly assume the role of world’s most famous unknown doo-wop group.\u003c\/p\u003e\n\u003cp\u003eEvery week is a slow news week in Columbus, Ohio, and early January 2011 found the city recovering from the thrill of elevating Ted Williams—the formerly homeless guy with the awesome voice for radio—into a national news sensation. But both major daily newspapers in town, as well as the city’s alternative weekly, also ran stories about how a lost and unknown Columbus soul group had become the musical centerpiece of a film already garnering Oscar buzz. That mainstream spotlight aimed at Blue Valentine and Penny \u0026amp; the Quarters did the trick: we finally made contact with the widow of Jay Robinson, lead Quarters’ singer and songwriter. Robinson, it turned out, had also been the leader of Columbus doo-wop pioneers The Supremes (later known as “The Columbus Supremes,” for reasons which should be obvious). Jay Robinson never did give up on the dream of writing a hit record; even so, the posthumous realization of his dream is cold comfort for his widow and daughter. 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Gibson directed the music video for the Universal Togetherness Band’s “More Than Enough.” Backed with the unreleased party anthem “Saturday Night,” “More Than Enough” is available for the first time in an attractive picture-sleeve 45.\u003c\/p\u003e\n\n","brand":"Numero Group","offers":[{"title":"45","offer_id":40261225513158,"sku":"ES044LP","price":12.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":40261225480390,"sku":"ES044dig","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/ES044_UniversalTogethernessBand_SaturdayNight_45_Black.jpg?v=1660761708"},{"product_id":"otis-brown-ive-got-another-bw-southside-chicago","title":"I've Got Another b\/w Southside Chicago","description":"\u003cp\u003eAn anthemic call to arms for all denizens of the second city residing south of the Loop, Otis Brown \u0026amp; the Delights’ “Southside Chicago” swung and missed in the summer of ’66. 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Many years in the making, this limited replica 45 is a tribute to both Numero’s hometown and the late Bob Abrahamian.\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"45","offer_id":40261264965830,"sku":"ES050LP","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40261264900294,"sku":"ES050digital","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/ES050_OtisBrown_IveGotAnother_45_Black.jpg?v=1660676818"},{"product_id":"funka-fize-because-youre-funky-bw-no-words","title":"Because You're Funky b\/w No Words","description":"\u003cp\u003eWhile assembling the \u003ca href=\"http:\/\/www.numerogroup.com\/products\/eccentric-soul-omnibus\"\u003e\u003cem\u003eEccentric Soul Omnibus\u003c\/em\u003e\u003c\/a\u003e in 2012, we’d hoped to include “Because You’re Funky” b\/w “No Words” by Funka Fize. One of the most obscure items in super-duper-producer George Kerr’s massive catalog, biographical information on the group proved elusive. \"They were friends of my wife’s brother,\" and “They're from somewhere in Alabama” does not make for an interesting read. Kerr was able to tell us about the Rolls-Royce he purchased with his first royalty check, which served as inspiration for the Royce Records imprint (and the crudely drawn logo, for that matter).  \u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"45","offer_id":40261267390662,"sku":"ES049LP","price":12.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":40261267357894,"sku":"ES049digital","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/ES049_FunkaFize_BecauseYoureFunky_45_Black.jpg?v=1660676234"},{"product_id":"universal-togetherness-band-my-sentiment-bw-missing-you","title":"My Sentiment b\/w Missing You","description":"\u003cp\u003eA late entry into the Universal Togetherness Band songbook, “My Sentiment” finds frontman Andre Gibson at the helm of a more refined manifestation of his cult-disco combo. With sweetening from saxophonist Michael Young, “My Sentiment” is as catchy as anything in the Universal Togetherness Band songbook. A perineal opener for the Universal Togetherness Band during their early days, “Missing You So” only existed as legend until a chrome cassette of the song was discovered by harmonica player Paul Hannover.\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"45","offer_id":40261268734150,"sku":"ES052LP","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40261268701382,"sku":"ES052digital","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/ES052_UniversalTogethernessBand_MySentiment_45_Black.jpg?v=1660675654"},{"product_id":"perk-badger-do-your-stuff-pt-1-bw-part-2","title":"Do Your Stuff Pt. 1 b\/w Part 2","description":"\u003cp\u003eThe Mighty Pearstine “Perk” Badger cut a handful of sides for Wax-Wel and his own Hit Sound (and Hit Bound) labels in the late 1960s and early 1970s, including a low-fidelity attempt at the anthemic “Do Your Stuff.” A few years later, Perk took another stab, enlisting the help of Arnold Albury’s Rising Sons, a major force in Henry Stone’s TK operation. The results were raw, magical, heavy-hitting funk. Issued here on a bright replica Suncut label with bottom-heavy refurbished sound.\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"45","offer_id":40261271158982,"sku":"ES048LP","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40261271126214,"sku":"ES048dig","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/ES048_PerkBadger_DoYourStuff_45_Black.jpg?v=1660675122"},{"product_id":"mind-matter-im-under-your-spell-bw-sunshine-lady","title":"I'm Under Your Spell b\/w Sunshine Lady","description":"\u003cp\u003eIn March of 1977, Minneapolis nonet Mind \u0026amp; Matter booked time at Creation Audio on Old Shakopee Road in suburban Bloomington to record “I’m Under Your Spell” and “Sunshine Lady.” Written by a teenaged Jimmy “Jam” Harris, these danceable numbers document the prolific songwriter taking baby steps as a budding super producer. A percussionist-turned-pianist, Harris’s playful use of glockenspiel would reappear in subsequent productions for S.O.S. Band, Cherrelle, and Alexander O’Neal.\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"45","offer_id":40261272797382,"sku":"ES051lp","price":12.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":40261272764614,"sku":"ES051dig","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/ES051_MindMatterImUnderYourSpell_45_Black.jpg?v=1660674556"},{"product_id":"ned-doheny-to-prove-my-love-bw-vocal-version","title":"To Prove My Love b\/w Vocal Version","description":"\u003cp\u003eIn anticipation of Ned Doheny’s March 2015 tour of the UK, we pressed up a limited pic sleeve 45 of the cut that first made Ned famous across the pond. For reasons not entirely clear, the infectious \u003cem\u003eProne\u003c\/em\u003e opener “To Prove My Love” debuted in 1979 on the Japanese-only LP with its verses omitted. This “TV Track,” as such items were known, was provided by engineers to facilitate televised performances or opportunities for voiceovers. Whether utilized by mistake or by preference, Ned Doheny’s third and final album of the ’70s has spent the last three decades with a piece missing. In various compact disc reissues from various land masses, the TV Track and Vocal versions have been used interchangeably with no distinction. This 45 exists to give the listener control over which “To Prove My Love” they can remain faithful to.\u003c\/p\u003e\n","brand":"Numero","offers":[{"title":"45","offer_id":40261300388038,"sku":"NUM052.75LP","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NUM052_75_NedDoheny_ToProveMyLove_45_Black.jpg?v=1659553141"},{"product_id":"ork-records-complete-singles","title":"Complete Singles","description":"\u003cp\u003eAt the epicenter of New York’s most significant music scene was an instantly-forgotten record label: Ork Records, the first punk label and the original “indie.” For the first time ever, the monumental output of this explosive imprint’s 1975-1979 run is all in one place. Sixteen singles that birthed punk, no-wave, power pop, and the next four decades of indie rock, including the debut releases from Television, Richard Hell, Richard Lloyd, Cheetah Chrome, Alex Chilton, the dBs, and Chris Stamey, plus future nuggets by the Revelons, Student Teachers, Prix, Marbles, Idols, Mick Farren, and Link Cromwell, and previously unreleased singles from the Feelies and Erasers. This is a limited edition of 2000 carefully replicated 7” sleeves ensconced in a custom box modeled on period-specific Ork mailing labels.\u003c\/p\u003e\n\u003chr\u003e\n\n","brand":"Numero","offers":[{"title":"16x45","offer_id":40261342527686,"sku":"NUM707LP","price":75.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NUM707_OKRRecords_CompleteSingles_45.jpg?v=1659550710"},{"product_id":"trinikas-black-is-beautiful-bw-remember-me","title":"Black Is Beautiful b\/w Remember Me","description":"\u003cp\u003eSince the rediscovery of the Trinikas pleading “Remember Me” at the turn of the century, rumor held that the song had been written as an elegy, after the tragic 1969 passing of original Trinikas tenor Marsha Bratton. But songwriter and singer Debbie Sheffield authoritatively sets that record straight: “The song’s about an intense relationship. Me and my boyfriend kept breaking up over and over. Nothing more. It’s interesting that she would be linked to that song, ‘cause Marsha didn’t really like me at first. When we all got to high school, we became great friends.” Before adopting the Trinikas name, Bratton, Sheffield, Georgetta Dixon, and Lenise “T-Bird” Morgan candy striped at hospitals as part of their junior high school’s Paramedical Career Club, singing to patients when appropriate. When Bratton, Dixon, and Morgan graduated to Oklahoma City’s Douglas High, they kept up singing with the younger Sheffield, daughter of unsung jazz pianist Leslie Sheffield. Sheffield had been a pioneer on the outer-west jazz circuit, holding down a regular night at Louie’s 29 Club during the ’50s and ’60s. His insistence that Debbie learn to play the piano and his support of her compositional work ultimately gave her singing group a leg up over their Douglas High peers. Sheffield rejoined her classmates in the fall of 1967, began singing with Leroy Hicks’ choir, and spent her afternoons and early evenings in his classroom writing and singing with the group that had come to be known as the Trinikas.\u003cbr\u003e\n\u003cbr\u003e\nIn 1962, Oklahoma City entrepreneur Richard Gilleland opened a local franchise branch of Saugus, California-based Century Records, filling a void in regional record manufacture demand with affordable pressings and recordings, many tracked on his mobile recording studio. “I had a large Ampex 354. But I wasn't interested in getting into the rock music stuff. The musicians were flaky, and they wanted you to put up the money,” said Gilleland. “I decided I’d rather stick with the schools.” He struck a deal with Douglas High to record a series of LPs to be used as music program fundraisers. Debbie Sheffield and Georgetta Dixon's “Black Is Beautiful” had become something of a theme song within Douglas High’s halls; it was the fundraising album’s lone original, and ultimately its title track. The Trinikas cut the track in Gilleland's garage, with Ronald Hamilton on bass and David McKinney on drums, and issued a teaser on Century with the Sheffield\/Felix Scott duet “On The Street Where You Live” as the flip. The 45s were scooped up quickly by the student body, leading Gilleland to soften his hardline stance on investing in groups. \u003cbr\u003e\n\u003cbr\u003e\nIn the fall of 1969, Gilleland and the Trinikas journeyed 360 miles northeast to Independence, Missouri’s Cavern Studio to capture a professional rendering of “Black Is Beautiful,” in addition to fresh Sheffield original “Remember Me.” Kansas City organ specialist Louis Chachere was called on to produce, fresh off “The Hen,” a Hammond-funk workout he’d be best remembered for. A fee of $600 was charged for the national distribution and promotion of the resulting 45 by Pearce, John Pearson and Larry Good's custom recording operation that amounted to a local version of Century. Released in October 1969, the 45 eventually saw several pressings and as many as 3500 copies. But with the Trinikas still in high school, opportunities to promote the single outside their hometown were limited. \u003cbr\u003e\n\u003cbr\u003e\nThe Trinikas recordings at Cavern would be their last. Marsha Bratton, the daughter of a stern minister, was on restriction the night of Douglas High’s fall talent show. “We were prepared to do the show without her, but she snuck out and surprised us,” recalled Sheffield. “That was the last time I saw her.” Bratton and her sister left the talent show and were en route to Tulsa when their car was struck by an oncoming vehicle. Marsha died instantly, and her sister lost both legs. Douglas High’s fundraising album was released in the spring of 1970, carrying a dedication to Marsha Bratton. The Trinikas went on a brief hiatus that winter and skipped the spring 1970 talent show that would be captured on Century’s \u003cem\u003eBlack-Out New Sounds of 70\u003c\/em\u003e LP, a double album Gilleland billed to its financiers as a way to showcase local talent. Douglas High talents the Chante’s, Uniques, Daeshawns, Antics, and Star Lites turned in serviceable cover songs of the day’s hits, but none of them could match what their classmate's quartet had achieved. \u003cbr\u003e\n\u003cbr\u003e\nThe Trinikas’ downtime continued through the summer of 1970, prompting Gilleland to suggest that Sheffield break off and go solo. Marsha Bratton’s replacement was found in Gloriadean Tucker, and the group continued to sing together until Tucker and Sheffield’s graduation in 1971. “I went off to Virginia Union that fall and never looked back,” said Sheffield. “We were so close, us girls. Doesn’t really matter if people have the story wrong, I’m just so surprised we’re remembered at all.”\u003cbr\u003e\n\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"45","offer_id":40261354750150,"sku":"NUM045.39","price":12.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":40261354717382,"sku":"NUM045.39dig","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NUM045_39_Trinikas_BlackIsBeautiful_45_Black.jpg?v=1659465959"},{"product_id":"ork-records-new-york-new-york","title":"New York, New York","description":"\u003cp\u003eIn August of 1975, the world’s first punk record label was born. \u003cem\u003eOrk Records: New York, New York\u003c\/em\u003e is a tale of Terry Ork, a film-obsessed fugitive of Warhol’s Factory set. Ork’s impresario ear would pull damaged, literate new rock music from the pregnant Bowery grime of CBGB, resulting in debut 45s by Television and Richard Hell, as well as landmark recordings by the Feelies and Lester Bangs. It’s a tale of Charles Ball, who’d steer Ork Records through solo exploits by Big Star’s Alex Chilton and the dBs’ Chris Stamey. And it’s a tale told in scorching sides by Richard Lloyd, Marbles, Prix, Mick Farren, Cheetah Chrome, the Idols, the Erasers, the Revelons, Student Teachers, and more. Our deluxe hardback book features evocative, unseen imagery, a portal opened by on-the-scene photojournalists as crucial to documenting punk’s conception in the squalid Lower East Side as the walls of CBGB itself. \u003cem\u003eOrk Records: New York, New York\u003c\/em\u003e is a visionary glimpse of punk and new wave as invented, nurtured, feted, and forgotten by the street-level artisans who attended the genre’s arrival.\u003c\/p\u003e\n\n","brand":"Numero","offers":[{"title":"4xLP + Book","offer_id":42700712771782,"sku":"NUM060LP","price":85.0,"currency_code":"USD","in_stock":false},{"title":"2xCD + Book","offer_id":41170359681222,"sku":"NUM060CD","price":35.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40261380538566,"sku":"NUM060digital","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NUM060_ORKRecords_NewYorkNewYrok_LP_Black.jpg?v=1659464736"},{"product_id":"feelies-the-boy-with-the-perpetual-nervousness-bw-my-little-red-book","title":"The Boy With The Perpetual Nervousness b\/w My Little Red Book","description":"\u003cp\u003eExclusive Ork Records: New York, New York bonus 45, featuring two previously unreleased tracks by the Feelies. “The Boy With The Perpetual Nervousness” is an unreleased studio cut from 1978, while the flip is a cover of the Bacharach \u0026amp; David classic “My Little Red Book,” recorded live at CBGB December 14, 1976. Machine numbered and limited to 2000 copies.\u003c\/p\u003e\n","brand":"Numero","offers":[{"title":"45","offer_id":40261425922246,"sku":"NUM060BLP","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40261425889478,"sku":"NUM060dig1","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/files\/NUM060BLPTheBoyWithThePerpetualNervousnessb_wMyLittleRedBookPlainSleeveMockup.png?v=1692823840"},{"product_id":"the-shades-santa-claus-is-coming-to-town-bw-prancers-got-some-red-spots","title":"Santa Claus Is Coming To Town b\/w Prancer's Got Some Red Spots","description":"\u003cp\u003eGirl group greatness for your holiday soiree! Figuring it would take a Christmas miracle to break them out of rural Indiana, the Shades—Cindi, Jannie, and Suzi—traveled to Chicago’s RCA Studios in 1966 to cut the holiday perineal, “Santa Claus Is Coming To Town.” Backed with the original “Prancer’s Got Some Red Spots” and released on Indiana's tiny Fujimo label.\u003c\/p\u003e","brand":"Numero Group","offers":[{"title":"45 (Red Spots Red)","offer_id":41217236598982,"sku":"ES053LP-C1","price":13.0,"currency_code":"USD","in_stock":true},{"title":"45","offer_id":41170967331014,"sku":"ES053LP","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40261427495110,"sku":"ES053digital","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/ES053_TheShades_SantaClausIsComingToTown_45_RedSpotsRed.jpg?v=1659377219"}],"url":"https:\/\/numerogroup.com\/collections\/all-45s.oembed?page=9","provider":"Numero Group","version":"1.0","type":"link"}