{"title":"Cosmic American \u0026 Adjacent Collection","description":"","products":[{"product_id":"fern-jones-the-glory-road","title":"The Glory Road","description":"\u003cp\u003eHer voice was all Saturday night, delivered on a Sunday morning. Patsy on Jesus. Elvis without the pelvis. Fern Jones’ only album, released by Dot Records in 1959, captured 36-year-old Sister Fern as she anointed church music with the same untamed energy that younger white Southerners were bringing to their rock ’n’ roll. Produced by Mac Wiseman and showcasing crack Nashville session players Hank “Sugarfoot” Garland, Floyd Cramer, Joe Zinkan, and Buddy Harman fresh off their June 1958 session with The Pelvis, Singing A Happy Song should’ve taken Jones from dusty canvas big tops to the Opry’s storied stage. But with no 45 to flog, Jones instead sold nary a record and never did hear herself on the radio. Her fiery rockabilly gospel was a few shades too radical for the conservative, traditional, near puritanical public she played to anyway. \u003cem\u003eFern Jones: The Glory Road\u003c\/em\u003e collects her \u003cem\u003eSinging A Happy Song\u003c\/em\u003e LP and cuts including “Didn’t It Rain,\" from her \u003cem\u003eThe Joneses Sing\u003c\/em\u003e album, into one rousing package, rich with the details and imagery of a brief career spent tethered to the hard ground and gazing skyward. \u003cem\u003eThe Glory Road’s\u003c\/em\u003e sound gnaws at the bit and stands in reverence, a runaway rockabilly tent show without a single drop of rain on the horizon.\u003c\/p\u003e\n","brand":"Numero","offers":[{"title":"CD","offer_id":40259402956998,"sku":"NUM005cd","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40259402989766,"sku":"NUM005dig1","price":10.0,"currency_code":"USD","in_stock":true},{"title":"2xLP","offer_id":40259403022534,"sku":"NUM005LP","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539026549.jpg?v=1626880264"},{"product_id":"wayfaring-strangers-lonesome-heroes","title":"Lonesome Heroes","description":"\u003cp\u003eNo common ancestral folkie—no mercurial Fahey or lilting Joni—makes a fitting a touchstone to this third \u003cem\u003eWayfaring Strangers\u003c\/em\u003e installment. These \u003cem\u003eLonesome Heroes\u003c\/em\u003e are linked instead by mood: the turn of a strange phrase, a piano oddly mic’d, the sound of a room, both its guitar and man falling perfectly out of tune. For these somber, dark, and meditative troubadours, we opened up space for everything between a shambling revisit of some dusted Highway 61 capillary and a blue afternoon gone black. Each traveler tracked here took first steps out of his own\u003cem\u003eNowhere Special\u003c\/em\u003e. Some made stops in common, but none ever honestly intersected, and each recording thus owes its sound to a divergent time, method, and reason. From back-porch singer-songwriters who never played a single professional gig to those dragged off stage only by years, these sung tales were mostly privately pressed, privately created, and intended for the most private of audiences: those kindred lonely few who listened along the way.\u003c\/p\u003e\n","brand":"Numero","offers":[{"title":"2xLP","offer_id":40260015784134,"sku":"NUM028lp","price":30.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":40260015718598,"sku":"NUM028cd","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40260015751366,"sku":"NUM028digital","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539015197_8bba1c70-f19e-430d-b0cb-951f4c4a18d8.jpg?v=1626880392"},{"product_id":"local-customs-lone-star-lowlands","title":"Lone Star Lowlands","description":"\u003cp\u003eThe second in our series of peeks into the world of regional studios hones in on Mickey Rouse’s Lowland operation out of Beaumont, Texas. Long after the Bopper’s plane crashed and the Winter brothers (Johnny and Edgar) and Janis Joplin split, Texas’ Golden Triangle was home to a vibrant group of musicians, songwriters, and entrepreneurs just trying to make it in Houston, let alone the world. Holed up in a run-down strip mall, groups like Mourning Sun, Insight Out, Sage, Sassy, Mother Lion, Hope, Circus, and Boot Hill tracked out hundreds of demos, most of which were put on the shelf and left to bake in the southeast Texas heat. Until now.\u003cbr\u003e\n\u003cbr\u003e\nThe Numero Group has painstakingly audited every tape in the Lowland archives, selecting the best of the best (22 tracks on CD, 28 for the 2LP) for this peerless compilation. The songs themselves run the gamut: southern boogie rock, CSNY clone workups, British blues thunder, garage-psych hangovers, Morricone-tinged supper club instrumentals, yacht rock, and what can only be described as Bobby McFerrin fronting the Velvet Underground...each of them threaded to another in the way only a tightly-knit scene knits its output together. Forget bringing these treasures back to life—Lone Star Lowlands gives them the life they never had.\u003c\/p\u003e\n","brand":"Numero","offers":[{"title":"CD","offer_id":40260667637958,"sku":"NUM034cd","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40260667670726,"sku":"NUM034digital","price":10.0,"currency_code":"USD","in_stock":true},{"title":"2xLP","offer_id":40260667703494,"sku":"NUM034lp","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1538753601_16dcee79-fa08-47e8-89a4-e79204c4d675.jpg?v=1626880408"},{"product_id":"willie-wright-telling-the-truth","title":"Telling The Truth","description":"\u003cp\u003eBorn of Harlem doo-wop roots and refined by Boston’s counterculture scene, Willie Wright arrived in Nantucket in 1976 well worn by two decades of street corner and club performing, eager to make the easy money only a private yacht clientele could guarantee. Trapped on the island over winter, a set of original songs poured into his cover-heavy set. Tales of Wright’s native roots, straight life, his abandoned four children, and the many women he had known flooded his loose leaf notebook before finally being set to tape in New York the following spring. \u003cbr\u003e \u003cbr\u003e Tracked with George “Buzzy” Bragg and Herry Jensen (of Skull Snaps and Jimmy Castor Bunch fame, respectively) in one day with minimal overdubs, \u003cem\u003eTelling The Truth\u003c\/em\u003e was, and would remain, Willie Wright’s brightest and most inspired moment. Sold from the trunk of a car and from a handful of resort stages, the humble album disappeared into the collections and garages of Nantucket tourists, taking what was left of a near-30-year career along with it.\u003cbr\u003e\u003c\/p\u003e","brand":"Numero","offers":[{"title":"Nantucket Blue Vinyl","offer_id":42040765087942,"sku":"NUM038.2lp-C1","price":27.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl Repress","offer_id":42040933482694,"sku":"NUM038.2lp","price":25.0,"currency_code":"USD","in_stock":true},{"title":"CD+4.72in","offer_id":40260700799174,"sku":"NUM038cd","price":15.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":40260700733638,"sku":"NUM038dig","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NUM038.2LP-C1-Willie-Wright-mock-Edited.png?v=1671839124"},{"product_id":"medusa-first-step-beyond","title":"First Step Beyond","description":"\u003cp\u003eYou must physically hold this album, kneel at its altar; we will fail to describe it. Medusa’s \u003ci\u003eFirst Step Beyond\u003c\/i\u003e might have forever shifted the perception of Chicago rock history had it managed to make the leap from tape to its never-realized vinyl pressing. Instead, the conflagration of Sabbath, Hawkwind, and Amon Duul II remained petrified in the Corycian Caverns—otherwise known as the drummer’s basement. Self-produced on four track in 1975, this lone transmission from Medusa’s repertoire appeared on the extremely mysterious Pepperhead label, whose proprietor allegedly disappeared after a bad trip and has never been seen again. Forged in ceremonial mock-velvet, custom embossed in Gorgon-gold and blood-red, and art directed in accordance with the band’s elaborate original stage props and artwork, we have positioned this unreleased opus to finally reach its destination: the turntables of pot-smoking and leather-clad teenagers, young and old.\u003c\/p\u003e","brand":"Numero","offers":[{"title":"LP (Blood Red Vinyl)","offer_id":40260889411782,"sku":"NUM048.5lp-C1","price":27.0,"currency_code":"USD","in_stock":false},{"title":"LP (Black Wizard Vinyl)","offer_id":43645613670598,"sku":"NUM048.5lp-C2","price":27.0,"currency_code":"USD","in_stock":true},{"title":"LP","offer_id":40260889313478,"sku":"NUM048-5lp","price":25.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":40260889247942,"sku":"NUM048.5CD","price":14.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40260889280710,"sku":"NUM048.5dig","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/bloodred.jpg?v=1633540271"},{"product_id":"kathy-heideman-move-with-love","title":"Move With Love","description":"\u003cp class=\"dropcap\"\u003eLodged between a heartbreak and a smoke break, Kathy Heideman’s \u003cem\u003eMove With Love\u003c\/em\u003e wandered off I-5 somewhere just south of Hungry Valley State Vehicular Recreation Area and broke down. At its dusty roadside, cheap truck-stop java flows over plaintive coffeehouse tunes concerning “Bob” and “Need.” Her session hand’s lanky, echo-laden guitar might’ve twanged a bit strong for the typical sandal-shoed hitchhiker, who’d have fell harder for Dylanesque grandeur on “The Earth Won’t Hold Me.” More Bakersfield than Laurel Canyon, and set to walking in 1976 by the one-off Dia imprint in a plain-Jane, black-on-white sleeve, Heideman’s lone LP suffered the geographical misfortune of having ripened in the pre-silicon orchards of San Jose, California, far from more marketable realms—Emmylou’s backyard, say, or Joni Mitchell’s summery lawn. Heideman herself faded out thereafter, packing her shaken, singular voice into a rustic suitcase, moseying on, and leaping into the moving sun.\u003c\/p\u003e","brand":"Numero","offers":[{"title":"LP (Java Vinyl)","offer_id":44837758894278,"sku":"NUM1214lp-C3","price":27.0,"currency_code":"USD","in_stock":true},{"title":"LP (White Vinyl)","offer_id":40260994433222,"sku":"NUM1214lp-C1","price":27.0,"currency_code":"USD","in_stock":false},{"title":"LP","offer_id":40260994400454,"sku":"NUM1214lp","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40260994367686,"sku":"NUM1214digital","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/files\/movewithlove_C2.png?v=1754687573"},{"product_id":"white-eyes-st","title":"S\/T","description":"\u003cp\u003eThe Summer of Love hadn’t reached Missouri, even by 1969. But White Eyes, a true anomaly of the Midwest, channeled the sound of Haight-Ashbury straight to the plains. The band was among the top performing acts in the “Show Me” state, opening for The Flying Burrito Brothers, Black Oak Arkansas, and Brewer and Shipley. Blending acoustic and electric instrumentation, three-part harmonies, and anti-Vietnam lyrics, this previously unissued LP holds true to the acid-drenched sounds of the Woodstock era.\u003c\/p\u003e\n","brand":"Numero","offers":[{"title":"LP","offer_id":40261256315078,"sku":"NUM1230LP","price":15.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":40261256249542,"sku":"NUM1230CD","price":12.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":40261256282310,"sku":"NUM1230digital","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NUM1230_WhiteEyes_ST_LP_Black.jpg?v=1660759769"},{"product_id":"elyse-weinberg-greasepaint-smile","title":"Greasepaint Smile","description":"\u003cp\u003eThe unreleased second album by an original lady from the canyon. Recorded and recanted in 1969, \u003cem\u003eGreasepaint Smile\u003c\/em\u003e is more assured than its self-titled, Tetragrammaton-issued predecessor. Weinberg’s finger-picked acoustic is layered over distant drumming, while her gravel-pit voice evokes life, love, and mortality. Fellow Torontonian Neil Young sears “Houses” with his signature fuzz-tone, casting chaos over the beautiful ballad, while J.D. Souther, Kenny Edwards, and Nils Lofgren, pick up the slack. Masterfully produced by David Briggs, \u003cem\u003eGreasepaint Smile\u003c\/em\u003e has climbed out of the canyon and is bound for every turntable east of the 405.\u003c\/p\u003e\n\n","brand":"Numerophon","offers":[{"title":"LP","offer_id":40261276106950,"sku":"NPH44008LP","price":23.0,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":41156200956102,"sku":"NPH44008CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40261276074182,"sku":"NPH44008dig1","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NPH44008_ElyseWeinberg_GreasepaintSmile_LP_Black.jpg?v=1660673891"},{"product_id":"jimmy-carter-and-dallas-county-green-summer-brings-the-sunshine","title":"Summer Brings the Sunshine","description":"\u003cp\u003eDon’t let the postcard-generic cover art fool you, \u003cem\u003eSummer Brings The Sunshine\u003c\/em\u003e stands head and shoulders above nearly any major label country rock album crowding mid-’70s record bins. Next to the hundreds or even thousands of slick productions flowing out of Nashville and Los Angeles, Jimmy Carter scoured his rural Missouri surroundings for farmhands and semi-pros alike to lay down eight farm-isolated originals in 1977. Tasty female backing vocals, languid pedal steel, and feisty guitar licks abound on this exalted and near-peerless slice of Cosmic American Music.\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"Green Opaque Vinyl","offer_id":41576620949702,"sku":"NUM1251lp-C1","price":27.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":40261452234950,"sku":"NUM1251dig","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NUM1251_JimmyCarterAndDallasCountyGreen_SummerBringsTheSunshine_LP_GreenOpaque.jpg?v=1659119271"},{"product_id":"circuit-rider-photograph-attached","title":"Photograph Attached","description":"\u003cp\u003eBeneath the shroud of mystery surrounding the Circuit Rider LP is its mercurial, difficult, and wildly creative producer, Thorn Oehrig. After turning his penchant for biker lore into an acid-scorched \u003ca href=\"http:\/\/numerogroup.com\/products\/circuit-rider-s-t\"\u003eeponymous LP\u003c\/a\u003e, he continued recording with a motley cast of musicians and collaborators over the next few years, plotting a follow-up that was never quite completed. The original buzz remains across this unheard blast of angel dust. Dark hobo tales and rambling tunes, etched in alternately noisy, shambolic, and transcendent performances, channeling an alternate reality where Tom Waits is a mass murderer. \u003c\/p\u003e\n","brand":"Numero","offers":[{"title":"LP","offer_id":40261458755782,"sku":"NUM1255lp","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NUM1255_CircuitRider_PhotographAttached_LP_Black.jpg?v=1659118429"},{"product_id":"wayfaring-strangers-cosmic-american-music","title":"Cosmic American Music","description":"\u003cblockquote\u003eI [have] some sort of ‘rep’ for starting what has turned out to be pretty much of a ‘country-rock’ plastic dry-fuck.\u003c\/blockquote\u003e\n\u003cp\u003eAs progenitor and contemptuous poster boy for the music that came to be Cosmic American, Gram Parsons found himself mired in a recording career spent mostly in scouting the perimeters of chart success. “He hated country-rock,” Parsons collaborator Emmylou Harris would later reflect. “He thought that bands like the Eagles were pretty much missing the point.”\u003cbr\u003e \u003cbr\u003e Parsons had been orbiting the idea of Cosmic American Music for some time. In ‘68, he’d parted ways with the Byrds and was looking to take air with a new project. “It’s basically a Southern soul group playing country and gospel-oriented music with a steel guitar” he told \u003cem\u003eMelody Maker\u003c\/em\u003e, on the subject of The Flying Burrito Brothers. So it was that when A\u0026amp;M’s Burrito Brothers debut \u003cem\u003eThe Gilded Palace of Sin\u003c\/em\u003e made it to shelves in February of 1969, early adherents to the Cosmic American gospel were already echoing its message from areas flanking Gram Parsons’ Southern California hills and canyons. There was F.J. McMahon in coastal Santa Barbara, Mistress Mary further inland in Hacienda Heights, and Plain Jane of Albuquerque, New Mexico, each responding by committing their own private readings to tape before day one of the 1970s. Parsons himself might’ve disdained them, had he even been aware of such minor ripples, shimmering at the edges of his desert oasis. But these were true believers all the same, given over fully to his roots music concept, each filling vinyl grooves with non-rock instrumentation like fiddle, banjo, and pedal steel guitar, the last undoubtedly Cosmic American Music’s most distinguishing stringed signifier. \u003cbr\u003e \u003cbr\u003e Only too predictably, big labels did the grunt work of confining and defining the movement, as ABC, United Artists, RCA, and more played catch-up with Asylum’s raptor rock juggernaut, via backwoods crossover also-rans with names like Gladstone, American Flyer, and Silverado. Twang reigned, the shitkickers kicked shit, and the vaguely western-sounding guitar records piled up. Country-rock became “the dominant American rock style of the 1970s,” as Peter Doggett’s comprehensive \u003cem\u003eAre You Ready for the Country\u003c\/em\u003e put it much later. Wayfaring Strangers: Cosmic American Music picks up and dusts off golden ingots from the dollar-bin detritus of that domination, to reconstruct events as seen from the genre’s real Wild West—America’s one-off private press label substructure.\u003c\/p\u003e","brand":"Numero","offers":[{"title":"2xLP (Astro Spangled Red and Blue Vinyl)","offer_id":42519693852870,"sku":"NUM058LP-C1","price":35.0,"currency_code":"USD","in_stock":true},{"title":"2xLP (Black Vinyl)","offer_id":40261483036870,"sku":"NUM058lp","price":32.0,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":41175995089094,"sku":"NUM058CD","price":20.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":40261483004102,"sku":"NUM058dig","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NUM058lp-C1VariousArtistsCosmicAmericanMusicBlue_Red2xLP.png?v=1672871834"},{"product_id":"warfaring-strangers-acid-nightmares","title":"Acid Nightmares","description":"\u003cp\u003eAs the hippie movement hurtled towards its imminent demise, bad vibes infiltrated the rock world. Tainted LSD, loud motorcycles, and a series of brutal deaths spawned inspiration for guitar-wielding teenagers across the globe. Implementing deafening fuzz and satanic screams to create their proto-metal monstrosities, short-lived stoner bands pressed their lysergic experiments in microscopic quantities before blacking out entirely. Lifted from the ashes of the acid rock hell fire are 18 distorted tales of dope fiends, pill poppers, and the baddest of trips. \u003cbr\u003e\n\u003cbr\u003e\nDeluxe 2LP comes housed in a blacklight poster-style jacket illustrated by \u003ca href=\"http:\/\/www.benjaminmarra.com\/\"\u003eBenjamin Marra\u003c\/a\u003e, replete with flocking and lysergic neon. 24 pages documenting the creeping existential dread of the hard rock underground are tucked into the gatefold pocket alongside two dead dinosaur-heavy LPs. Compact disc is packaged in standard Numero slipcase, with digipak and 40-page book, limited to 2000 copies.\u003c\/p\u003e\n\u003cp class=\"dropcap\"\u003eIn the fall of 1967, signs of San Francisco’s darkening fell like leaves. The transient young people who’d invaded the Bay Area to cash in on the media’s cheap drugs\/free love promises had departed for points east. Haight-Ashbury, what remained of it, had become an open-air market for illicit substances, overrun with speed freaks, panhandlers, and Hell’s Angels motorcycle club adherents. Throughout the summer, leather-clad Hells Angels had become a fixture in the San Francisco scene, their Harleys crowding sidewalks outside the Fillmore West and the Carousel Ballroom, on nights when hometown rock n’ roll heroes the Grateful Dead or Big Brother and the Holding Company crowded the stage.\u003cbr\u003e\n\u003cbr\u003e\nHippie harbingers Ken Kesey and his Merry Pranksters had established ties to the Angels in ’65, introducing the biker brutes to LSD at a house happening in the hills of nearby La Honda. The Angels turned on and, for the most part, got along with psychedelic types who just liked to get high and groove. They loathed Berkeley’s politico set and were far from peaceniks. In less than two decades of activity, Angels had racked up more than 800 felony arrests—for sexual aberrations, drug charges, assault, and even attempted murder. On August 24, 1967, a prominent Hell’s Angel known as Chocolate George cruised Haight and crashed—at high speed and most likely high otherwise—into the back of a ’55 Chevy. For droves of locals, the demise of Chocolate George signified the Summer of Love’s departure.\u003c\/p\u003e\n\u003cp\u003eFrom his apartment at 369 Haight Street, San Francisco musician Dickie Peterson looked down on the deathscape of Chocolate George’s last ride. At summer’s end, suffused with the Haight’s baddest vibes, Peterson and his bandmates took to Amigo Studios in North Hollywood to capture their fried acid trips on tape. They named themselves Blue Cheer, after a potent strain of LSD cooked up by Grateful Dead engineer and chemist Augustus Owsley Stanley. \u003cem\u003eVincebus Eruptum\u003c\/em\u003e—mangled Latin for some kind of conquering eruption—emerged at the dawn of ‘68. The LP’s lead single was a fuzzed-over rendition of Eddie Cochran’s 1954 hit, “Summertime Blues.” On May 4, 1968, the single hit #14 on the \u003cem\u003eBillboard\u003c\/em\u003e Hot 100, sending fuzz-fueled acid rock into wildfire combustion. With pained ears and expanded minds, early Stateside adopters wasted little time cutting their own lysergic episodes to wax.\u003cbr\u003e\n\u003cbr\u003e\nIn 1968, Ty Gilliland was introduced to hard drugs by a member of the Outlaws motorcycle club after a gig in Columbus, Ohio. “They liked us enough because we played some Stones songs,” Gilliland said. “One of the Outlaws they called Muscles came up to me after a show. He held out his hand and said, ‘This’ll make you feel better.’ It was speed. Boy, I could sure play fast on that stuff.” And so he did. One amphetamine addiction later, Gilliland wrote “Speed Freak” for his band, The Rituals. Four hundred miles away, on the eastern seaboard, Baltimore high schoolers The Cross Blood Experiment were turning on with LSD—Orange Sunshine, specifically, a varietal concocted by the Brotherhood Of Eternal Love. They named their distortion-drenched single after the stuff, and made the drug’s effects sound far less than sunny. The embodiment of a bad trip, it comes on slowly, weaving vivid lyrical trails before speeding on into a rhythmic gallop beside an unhinged guitar solo. Out in Kansas City, Paul Parkinson of \u003ca href=\"http:\/\/www.numerogroup.com\/products\/bulbous-creation-you-wont-remember-dying\"\u003eBulbous Creation\u003c\/a\u003e was having just as little fun, on pot or smack or whatever it was that had him “Hooked.” “I’m sick of hearing myself,” he sang. “My head hurts like hell. My mouth so dry I can’t spit. Oh Lord, I wish I had another hit.”\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003eDarkness billowed out of the psychedelic cloud in the final weeks of 1969. In the months leading up to the West Coast answer to Woodstock, lurid tales of Charles Manson’s deathcult and their affiliations with rock’s literati had spilled across the headlines. The Rolling Stones, Jefferson Airplane, Santana, and Crosby, Stills, Nash, and Young were set to share the bill at Altamont Speedway in northern California on December 6. Bad vibes disturbed the air long before sunrise. Concert-goers arrived the night before, ill-prepared for near-freezing temperatures; for warmth, they burned fencing, garbage, and rock show road cases, adding a crusty stench to a cold, dusty valley. As the morning rolled on, the highway leading to Altamont clogged for miles. Hell’s Angels showed up for security duty, parting the dense crowd on 800-pound metal bikes. By noon, the medical tent overflowed with acid casualties. An hour later, when Santana took the stage, the Angels had long since helped themselves to handfuls of uppers, downers, wine, joints, and the $500 beer allotment they’d received in lieu of pay. Power-mad, they descended on any fan who posed even the slightest threat, unleashing flurries of fists and pool cues. At sundown, the Stones mounted the stage, as tension filled the air. \"The vibes were bad,” Grace Slick recalled. \"It was that kind of hazy, abrasive and unsure day. I had expected the loving vibes of Woodstock but that wasn't coming at me. This was a whole different thing.\" Breaking point at Altamont and “Under My Thumb” arrived together, when a juiced-up Angel stabbed 18-year-old fan Meredith Hunter repeatedly with a buck knife. Hunter had been armed; he’d been on speed; he died of his wounds. The 1960s were officially fried. \u003cbr\u003e\n\u003cbr\u003e\nNoxious fumes quickly crossed the Atlantic, as evidenced by Black Sabbath’s emergence from the haze on a Friday the 13th in February of 1970 with their \u003cem\u003eBillboard\u003c\/em\u003e debut LP. It’s a record that bears the pall of the sunny ’60s into a drug-addled English wood; lyrics are written in Lucifer’s voice, and “The Wizard” is as much an ode to Gandalf as it is to the band’s dealer. Sabbath countrymen Brass Alley and Sardonicus got the memo, dropping pink pills on the way toward eroding their own brains. In Portugal, the like-minded band Xarhanga didn’t even bother to mince words, delivering an actual “Acid Nightmare” that spun at 45 RPM. And a Viennese group called Novak’s Kapelle planted a flag firmly in the drug rock canon with their daring single “Hypodermic Needle,” its message mangled by a language barrier and a misunderstanding of what exactly was happening in the U.S. rock scene.\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003eAs the ’70s dragged on, a deep, dark hangover set in. In the American Midwest, Whistler’s Mother, TNS, and Gollum came in dehydrated and fumbling with the child-proof cap on a bottle of expired aspirin before issuing “Dark Dawn,” “Times Up,” and “Prayer of Despair.” In the south, the Shy Guys fretted about the dangers of lightning, Mass Temper wrote an ode to a drunk driving casualty, and The Purple Sun preached of “Doomsday.” Terre Haute, Indiana’s Goliath had made most of their career abusing drugs, but the comedown came at a terrible cost. “I had two guitar players and both of them committed suicide,” said Goliath drummer Steve Peterson. “In those days, it was very hard to keep young guys straight.”\u003cbr\u003e\n\u003cbr\u003e\nThe nightmare is over, but the flashbacks remain.\u003cbr\u003e\n\u003c\/p\u003e\n\n\n\n\t\u003cimg src=\"https:\/\/s3.amazonaws.com\/numero-cdn\/images\/atoms\/warfaring-strangers-acid-nightmares\/atom-1601587769.jpg\"\u003e","brand":"Numero","offers":[{"title":"2xLP (Neon Blotter Swirl Vinyl)","offer_id":42683661091014,"sku":"NUM068LP-C11","price":33.0,"currency_code":"USD","in_stock":true},{"title":"2xLP (Neon Purple Vinyl)","offer_id":40261848596678,"sku":"NUM068lp-C7","price":33.0,"currency_code":"USD","in_stock":false},{"title":"2xLP (Neon Green Vinyl)","offer_id":40261848629446,"sku":"NUM068lp-C8","price":33.0,"currency_code":"USD","in_stock":true},{"title":"2xLP (Neon Yellow Vinyl)","offer_id":40261848662214,"sku":"NUM068lp-C9","price":33.0,"currency_code":"USD","in_stock":true},{"title":"2xLP","offer_id":40261848367302,"sku":"NUM068lp","price":30.0,"currency_code":"USD","in_stock":true},{"title":"2xLP (Blue Heaven Vinyl)","offer_id":41170997149894,"sku":"NUM068LP-C6","price":33.0,"currency_code":"USD","in_stock":false},{"title":"2xLP (Orange Sunshine Vinyl)","offer_id":41170997870790,"sku":"NUM068LP-C4","price":33.0,"currency_code":"USD","in_stock":false},{"title":"2xLP (Window Pane Vinyl)","offer_id":41170999509190,"sku":"NUM068LP-C2","price":33.0,"currency_code":"USD","in_stock":false},{"title":"2xLP (Electric Kool Aid Vinyl)","offer_id":41171000361158,"sku":"NUM068LP-C5","price":33.0,"currency_code":"USD","in_stock":false},{"title":"2xLP (Neon Pink Vinyl)","offer_id":40261848563910,"sku":"NUM068lp-C10","price":33.0,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":41176010490054,"sku":"NUM068cd","price":15.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":40261848334534,"sku":"NUM068dig","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/files\/NUM068lp-C11WarfaringStrangersAcidNightmares2xLPNeonBlotterSwirlVinyl.png?v=1683571838"},{"product_id":"w2ng-899fm","title":"89.9FM","description":"\u003cp\u003eIn the wake of 2017’s \u003cem\u003eSeafaring Strangers: Private Yacht\u003c\/em\u003e, Numero is proud to present another addition to the soft rock canon: \u003cem\u003eW2NG\u003c\/em\u003e. Set your FM dial to smooth and sail away with 42 minutes of uninterrupted easy glide, pontoon rock, and whispery disco. Featuring unreleased burners from Gary Hyde, Love Transfusion, Marshall Titus, and Phillips, alongside scarce cuts from Nannette, Greenflow, Jim Spencer \u0026amp; Son Rize, Larry Sanders, Kettner \u0026amp; Shawe, Orphans of Love, and Lion, \u003cem\u003eW2NG\u003c\/em\u003e is sure to surprise even the most devout boat shoe enthusiast.\u003c\/p\u003e\n","brand":"Numbero","offers":[{"title":"LP","offer_id":40261937692870,"sku":"NBR009LP-C1","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40261937660102,"sku":"NBR002digital","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NBR009_W2NG_899FM_LP_Blue.jpg?v=1657909191"},{"product_id":"sanford-clark-they-call-me-country","title":"They Call Me Country","description":"\u003cp class=\"dropcap\"\u003ePropelled by his 1956 Lee Hazlewood-produced hit “The Fool,” Sanford Clark was already a rockabilly legend in his own right by the time he swapped his hair gel and switchblade for a pair of cowboy boots on \u003cem\u003eThey Call Me Country\u003c\/em\u003e. Recorded between 1965-67 and originally released as a series of singles for Phoenix’s Ramco label, the 12 tracks on this LP borrow Bakersfield’s outlaw sound and ignore Nashville’s countrypolitan flair, standing as a true lost masterpiece of country music’s third generation. Clark’s booming baritone tells tales of bar fights, heartaches, and drinking til you can’t stand, while Waylon Jennings provides a backdrop of fuzzed out guitar twang. Mastered from the original session tapes and back on vinyl for the first time since the Nixon administration.\u003c\/p\u003e\n","brand":"Numero","offers":[{"title":"Opaque Blue LP","offer_id":41640988606662,"sku":"NUM1268LP-C1","price":27.0,"currency_code":"USD","in_stock":true},{"title":"LP","offer_id":40262750372038,"sku":"NUM1268lp","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NUM1268_SanfordClark_TheyCallMeCountry_LP_OpaqueBlue.jpg?v=1657149199"},{"product_id":"la-babe-t-shirt","title":"LA Babe T-Shirt","description":"\u003cp\u003eCoastal wind sweeps across Doheny Drive, down Sunset and over the river before washing out on the edge of Highland Park. Get into the sun with this ultra-soft, crimson and cream ringer T based on the classic Ned Doheny fashion statement. Are you an L.A. Babe?\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/files\/lababewhiteringer.png?v=1711062776\" alt=\"\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/files\/lababewhiteringer.png?v=1711062776\"\u003e\u003cbr\u003e","brand":"Numero","offers":[{"title":"White (S)","offer_id":40262824165574,"sku":"NUM-T018-USM","price":30.0,"currency_code":"USD","in_stock":false},{"title":"White (M)","offer_id":40262824198342,"sku":"NUM-T018-UMD","price":30.0,"currency_code":"USD","in_stock":false},{"title":"White (L)","offer_id":40262824231110,"sku":"NUM-T018-ULG","price":30.0,"currency_code":"USD","in_stock":true},{"title":"White (XL)","offer_id":40262824263878,"sku":"NUM-T018-UXL","price":30.0,"currency_code":"USD","in_stock":true},{"title":"White (XXL)","offer_id":40262824329414,"sku":"NUM-T018-UXXL","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/files\/NUM-T018NedDohenyLABabeT-ShirtMock_BlackRinger.png?v=1699919078"},{"product_id":"louis-wayne-moody-high","title":"Moody High","description":"\u003cp\u003eThe lost yearbook from Louis Wayne Moody High’s graduating class of 1967, chronicling the peaks and valleys of teenage angst, lost loves, and life after summer vacation. Fourteen moody melodies of surf kings, guitar Bettys, talent show psychers, and pre-S.D.S. soft poppers. Walls of jangly guitars, maudlin organs, and melancholy harmonies deliver the bummer to ring in the summer.\u003c\/p\u003e\n\u003cp\u003eA replica of the Louis Wayne Moody High class of 1967 yearbook houses the 150 gram LP. Inside the bound leatherette volume is a murder mystery, told through the scribblings of Moody High’s student body. What happened to Cheryl? Only you can help solve.\u003c\/p\u003e\n\t\u003cimg src=\"https:\/\/s3.amazonaws.com\/numero-cdn\/images\/atoms\/louis-wayne-moody-high\/atom-1587057860.jpg\"\u003e\n\n\u003chr\u003e\n\u003cp\u003eAbout the \u003ca href=\"http:\/\/www.numerogroup.com\/d\/the-cabinet-of-curiosities-a-numero-universe\"\u003eCabinet of Curiosities\u003c\/a\u003e: \u003cbr\u003e\n\u003cbr\u003e\nFor Numero, taking time to explore the more esoteric possibilities of our creative practice provides a deeper understanding of the resulting piece of work. This curatorial exercise, usually relegated to mix tapes and oddball DJ nights, has allowed us to see the connections between our most far reaching corners.\u003cbr\u003e\n\u003cbr\u003e\nAfter years of whittling away at the art of compilation, this part of the practice came to the foreground, and an alternate view began to emerge. The outlines of a context beyond time and place, individual and scene. Threads sewn through the fabric of music history that tell a story primarily concerned with intentionality, psychic connections, and vibe. \u003cbr\u003e\n\u003cbr\u003e\nTo tell these stories an equally symbolic medium is required.\u003cbr\u003e\n\u003cbr\u003e\nIn order to create an object that can emote the value of the like minded yet distant relationships therein we looked to the world of commercial production running parallel to these musical subcultures. The treasure chest of artifacts made during the 20th century’s post-industrial free-for-all may be the only conceptually appropriate talisman for this music, the ability to bring the studio home was after all made by the same mechanism that brought on the consumer gold rush.\u003cbr\u003e\n\u003cbr\u003e\nThe consumer experience embodied by the secondary market, dog eared, footnoted, taken apart and tinkered with. The cabinet is a simulacrum of the lost and found. Our commercially nostalgic spirit-animal, redressed to be a more accurate representation of our emotional experiences with these objects. Less concerned with function than with the memories we associate with them.\u003cbr\u003e\n\u003cbr\u003e\nThe Cabinet of Curiosities is Numero’s tribute to the origin of the DIY museum, with our curatorial focus as always on the heroically home-made, the expanding fan universe, the suburban studio sublime.\u003c\/p\u003e\n\n","brand":"Numero Group","offers":[{"title":"LP (Golden Boy Goes Bronze Edition)","offer_id":40262972506310,"sku":"NUM105lp-C1","price":27.0,"currency_code":"USD","in_stock":true},{"title":"LP","offer_id":40262972473542,"sku":"NUM105lp","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40262972440774,"sku":"NUM105digital","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NUM105_LouisWayne_MoodyHigh_LP_GoldenBoyGoesBronzeEdition.jpg?v=1656610179"},{"product_id":"whispers-lounge-originals","title":"Lounge Originals","description":"\u003cp class=\"dropcap\"\u003eA lounge in the Poconos located just inside a Holiday Inn, 1973. The smoky haze clears to reveal a middle-aged couple on a one-foot high stage, prattling on about the weather or Watergate before launching into a serviceable cover of Burt Bacharach’s “Do You Know The Way To San Jose?” Tens of thousands of such combos littered restaurants, cruise ships, casinos, lobbies, and cocktail bars throughout the ’60s and ’70s, but far fewer cut a record worth buying from the stage, much less listening to on the home hi-fi. Gathered here are 14 lounge originals from across the entire easy listening spectrum. A spent matchbook’s worth of crooners, bossa nobodies, seafood jazzers, and Donca-Matic enthusiasts all in search of their ticket out of a red leather booth hell.\u003c\/p\u003e\n\u003cimg src=\"https:\/\/s3.amazonaws.com\/numero-cdn\/images\/atoms\/whispers-lounge-originals\/atom-1581439832.jpg\"\u003e\n\u003cp\u003ePatrons of Whispers Lounge may also enjoy a \u003ca href=\"https:\/\/numerogroup.com\/products\/blue-tandem-fleetwood-jack\"\u003ebonus 7”\u003c\/a\u003e featuring two delectable lo-fi covers of Fleetwood Mac, available in a limited edition run of 500 copies.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eAbout the \u003ca href=\"http:\/\/www.numerogroup.com\/d\/the-cabinet-of-curiosities-a-numero-universe\"\u003eCabinet of Curiosities\u003c\/a\u003e: \u003cbr\u003e \u003cbr\u003e For Numero, taking time to explore the more esoteric possibilities of our creative practice provides a deeper understanding of the resulting piece of work. This curatorial exercise, usually relegated to mix tapes and oddball DJ nights, has allowed us to see the connections between our most far reaching corners.\u003cbr\u003e \u003cbr\u003e After years of whittling away at the art of compilation, this part of the practice came to the foreground, and an alternate view began to emerge. The outlines of a context beyond time and place, individual and scene. Threads sewn through the fabric of music history that tell a story primarily concerned with intentionality, psychic connections, and vibe. \u003cbr\u003e \u003cbr\u003e To tell these stories an equally symbolic medium is required.\u003cbr\u003e \u003cbr\u003e In order to create an object that can emote the value of the like minded yet distant relationships therein we looked to the world of commercial production running parallel to these musical subcultures. The treasure chest of artifacts made during the 20th century’s post-industrial free-for-all may be the only conceptually appropriate talisman for this music, the ability to bring the studio home was after all made by the same mechanism that brought on the consumer gold rush.\u003cbr\u003e \u003cbr\u003e The consumer experience embodied by the secondary market, dog eared, footnoted, taken apart and tinkered with. The cabinet is a simulacrum of the lost and found. Our commercially nostalgic spirit-animal, redressed to be a more accurate representation of our emotional experiences with these objects. Less concerned with function than with the memories we associate with them.\u003cbr\u003e \u003cbr\u003e The Cabinet of Curiosities is Numero’s tribute to the origin of the DIY museum, with our curatorial focus as always on the heroically home-made, the expanding fan universe, the suburban studio sublime.\u003c\/p\u003e","brand":"Numero","offers":[{"title":"LP","offer_id":40262978142406,"sku":"NUM106lp","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40262978109638,"sku":"NUM106digital2","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NUM106_Whispers_LoungeOriginals_LP_Black.jpg?v=1656531104"},{"product_id":"blue-tandem-fleetwood-jack","title":"Fleetwood Jack","description":"\u003cp class=\"dropcap\"\u003ePatrons of Whispers Lounge circa 1978 might recall our weekend talent Blue Tandem. The husband and wife duo graced our stage with their unique blend of bossalito and radio hits, lulling patrons from drink to smoke and back to drink again over the course of two three hour sets. The centerpiece of their gigs was their Fleetwood Mac suite, enticing young lovers to follow the Donca-matic’s beat and grope-dance to “Dreams” and “Rhiannon.”\u003cbr\u003e\n\u003cbr\u003e\nA board tape from sound man\/MC Mr. Eldorado captured the nightly magic, which we discovered on the floor of his ’73 Rialto after his untimely passing during our 14th annual softball match with our arch nemesis at Red Lion. We’ve done our best to cut through the cigar-stained tape hiss, bringing the listener back to those Crown Royal-soaked nights of 1978.\u003c\/p\u003e\n\t\u003cfigcaption\u003eBlue Tandem - \"Dreams\"\u003c\/figcaption\u003e\n\n","brand":"Numero","offers":[{"title":"45","offer_id":40262982533318,"sku":"NUM717lp","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40262982500550,"sku":"NUM717digital","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NUM717_BlueTandem_FleetwoodJack_45_Black.jpg?v=1656530874"},{"product_id":"female-species-tale-of-my-lost-love","title":"Tale of My Lost Love","description":"\u003cp class=\"dropcap\"\u003eBehold the Female Species! A once-in-a-decade discovery of two sisters, married to music for life, always charging forward, indefatigable, indomitable, at last seen and heard. From their origins as the archetypal mid-’60s southern California girl group to their destiny as top-flight songwriters in the ’80s and ’90s Nashville country-industrial complex, Vicki and Ronni Gossett have never been much further than 20 feet from stardom. Fifty-five years into their remarkable story, \u003cem\u003eTale Of My Lost Love\u003c\/em\u003e is the Gossetts’ debut album—an ode to what could have been, and still might be.\u003c\/p\u003e","brand":"Numero","offers":[{"title":"LP (Moonshine Color Vinyl)","offer_id":41296846323910,"sku":"NUM073lp-C2","price":27.0,"currency_code":"USD","in_stock":true},{"title":"LP","offer_id":40263310737606,"sku":"NUM073LP","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40263310704838,"sku":"NUM073digital","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NUM073_FemaleSpecies_TaleOfMyLostLove_LP_Moonshine.jpg?v=1656377647"},{"product_id":"driftless-dreamers-in-cuca-country","title":"In Cuca Country","description":"\u003cp data-mce-fragment=\"1\"\u003eHome to Cuca Records and hundreds of Nashville-fantasizing pluckers and singers, Wisconsin’s Driftless region was a hotbed of country music in the 1960s. Influenced by old-timey ethnic songs, Bakersfield outlaws, countrypolitan rainbows, and the lonesome twang of every rural route roadhouse, these 17 Driftless Dreamers washed up at Jim Kirchstein’s Sauk City record plant with little more than $100 and a longing. Collected here are the fruits of Cuca’s documentary approach to record making, capturing the voices and stories of a culture and glacier in abatement.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/cl5spH0XF8c\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Numero Group","offers":[{"title":"Glacial Blue 2xLP","offer_id":40644259709126,"sku":"NUM078lp-C1","price":35.0,"currency_code":"USD","in_stock":false},{"title":"Black 2xLP","offer_id":40644265509062,"sku":"NUM078lp","price":33.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40644259676358,"sku":"NUM078digital","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NUM078_DriftlessDreamers_InCucaCountry_LP_Black.jpg?v=1746142886"},{"product_id":"catherine-howe-what-a-beautiful-place-50th-anniversary-edition","title":"What A Beautiful Place (50th Anniversary Edition)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis recorded autobiography of Catherine Howe, age 20, briefly appeared in 1971. Too young for memoirs, most artists have barely established any sort of musical competence by the age of legal adulthood, let alone compositions matching the maturity and complexity of Howe’s. \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eWhat A Beautiful Place\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, however, is a prodigious effort wrought from the melancholy ruminations of post-adolescence. The album’s twelve songs unfold like a classic bildungsroman, beginning in the smoke-stained industrial county of Yorkshire, transformed by the electrified creative landscape of mid-century London, and retiring to the warm pastoral bliss of the county of Dorset on England’s southern coast. Produced by noted jazz pianist Bobby Scott, the LP—oft-mistaken for a concept album—was available for only a month in the summer of 1971, disappearing after Reflection Records’ shuttering in 1971. \u003c\/span\u003e\u003c\/p\u003e","brand":"Numero Group","offers":[{"title":"Misty Morning Color Vinyl (Numero Exclusive)","offer_id":42812059386054,"sku":"NUM1283lp-C3","price":27.0,"currency_code":"USD","in_stock":true},{"title":"Yellow Vinyl","offer_id":40875689541830,"sku":"NUM1283lp-C1","price":27.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl","offer_id":42812059418822,"sku":"NUM1283lp","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40875695603910,"sku":"NUM1283digital","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/files\/NUM1283lp-C3CatherineHoweWhatABeautifulPlace_MistyMorningColorVinyl.png?v=1696005237"},{"product_id":"houses-elyse-weinberg-b-w-dinosaur-jr","title":"Houses - Elyse Weinberg b\/w Dinosaur Jr.","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTo celebrate Jagjaguwar’s 25th birthday, we’ve pressed a special single that pairs Elyse Weinberg’s 1969 cosmic American music classic “Houses” with Dinosaur Jr.’s pass from 2013. Five hundred copies on hand-poured, mixed color vinyl—every copy is unique.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e","brand":"Numero Group","offers":[{"title":"45","offer_id":41346921169094,"sku":"NUM720lp-C1","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NUM720_ElyseWeinbergDinosaurJr_Houses_45_Turqouse_b61c51b0-b8ab-4d80-abf6-417665f3074a.jpg?v=1655928431"},{"product_id":"christmas-dreamers-yuletide-country-1960-1972","title":"Christmas Dreamers: Yuletide Country (1960-1972)","description":"\u003cp data-mce-fragment=\"1\"\u003eDaddies don’t always come home for Christmas. From the snow-covered plains of Wisconsin’s Driftless region to the palm-lined avenues of Los Angeles, the loneliness of the holidays is a universal theme, best expressed by tear-in-the-beer country music hopefuls. 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Snatched from the streets of Belgrade as a teenager, Mataja spent World War 2 in a German work camp, escaping the insanity of post-war Europe to settle in North Hollywood to live out the American Dream to its fullest. 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Issued in 1979 on Allan Wachs’ own True Vine imprint, \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eMountain Roads and City Streets\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e gathers a decade of songs written while hitchhiking up and down the west coast. 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With lyrics drawn from the pages of her diary, Street’s stirring Mississippi warble led her into the fly-by-night world of custom studios, cutting tracks for upstart country concerns like Reena, Sonobeat, Revelation, and Arc. Channeling the honky tonk angel energy of Bobbie Gentry, Lorretta Lynn, and Jeannie C. 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Led by guitarists Billy Thunderkloud and Albert Canadien, the band was filled out with Jack Wolf on lead guitar, Barry Clifford on bass, and Richard Douse on drums. Their repertoire was a heady mix of guitar instrumentals; Chet Atkins, Les Paul, Duane Eddy, and Brazil’s Los Indios Tabajaras, but through the lens of the American sock hop.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAfter a brief stint at Edmonton’s Alberta College, The Chieftones hit the road, eventually setting up a home base in Sheboygan, Wisconsin, where they reportedly worked as ranch hands in between tours. “From Sheboygan we made our way to Madison, Wisconsin, La Crosse, Cedar Rapids and on over to down south, like that. Indianapolis, Peoria, Illinois, Indianapolis, Fort Wayne, South Bend, Indiana back to Chicago,” Canadien told Pat Braden. “We had a circuit like that. We played two weeks here, one week there, like that. 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This 92-page, perfect-bound country music celebration examines a wide array of Cash clones, Dolly doubles, and Nudie knock-offs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWe begin with five women and their Arkansas roots; Mona Lunsford, Judy Brackin, Katy Cricket, Country Girl Kay, and Fern Jones all wound their way in and out of the Toothpick State in the 1960s. Nicole Lane dives into Dot Records’ head of A\u0026amp;R and pop-country superstar Bonnie Guitar. Everything you wanted to know about Elizabeth Horton’s Reena Records are covered in Jason Woodbury’s illuminating essay about Joyce Street and Erin Osmon’s profile of Palomino Club favorite Don McGinnis. Osmon and Woodbury also go deep on Arizona underdogs Alvie Self and Sanford Clark and Phoenix’s Audio Recorders studio. Label surveys of Tommy Allsup’s AOK\/ Westex concerns, Jim Aguire’s Pamela, Wayne Raney’s Rimrock, Don Bennet’s Don Ray, and Les Kangas’ Kangaroo will have you adding 45s to your Discogs wantlist in no time. You like your country with a hint of Hawaiian lap steel and a dollop of God? Look no further than Ryan Boyle’s Gospel Hawaiianaires manuscript that we’ve been threatening to publish since including Bill and Jean Bradway on 2018’s \u003c\/span\u003e\u003ci data-stringify-type=\"italic\" data-mce-fragment=\"1\"\u003eTechnicolor Paradise\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e compilation. Finally we revisit a couple favorites from our 2016 country rock survey \u003c\/span\u003e\u003ci data-stringify-type=\"italic\" data-mce-fragment=\"1\"\u003eCosmic American Music\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e; Kathy Heideman speaks! Jeff Cowell embarasses himself at a 1975 Grammy party in Chicago! And of course we’ve got a handy listening guide in the back—no need to take notes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePrinted in an edition of 2000 copies, \u003c\/span\u003e\u003ci data-stringify-type=\"italic\" data-mce-fragment=\"1\"\u003ePeriodical Numerical\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s sixth issue is the only magazine you need on your coffee table this fall.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Numero Group","offers":[{"title":"Magazine","offer_id":42782263967942,"sku":"NUM406mag","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/files\/NUM406CountryIssuePeriodicalMockup.png?v=1692722165"},{"product_id":"they-move-in-the-night","title":"They Move In The Night","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe second of Louis Wayne Moody’s trilogy of mid-century noirs, 1966’s runaway adventure \u003c\/span\u003e\u003ci data-mce-fragment=\"1\" data-stringify-type=\"italic\"\u003eThey Move In The Night\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e follows the escapades of  “The Kids”—teenage siblings Cara and Applejack Seaworth—as they set out across America by thumb, rail, and bicycle in search of their long lost father—”The Man.” Hunted by the F.B.I., P.T.A., C.T.A., animal control, and a wicked grandmother \u003c\/span\u003e\u003ci data-mce-fragment=\"1\" data-stringify-type=\"italic\"\u003edead\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e set on claiming their inheritance, The Kids must come to grips with their orphaned reality and an unyielding future.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" aria-label=\"\" class=\"c-mrkdwn__br\" data-stringify-type=\"paragraph-break\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDiscovered after spending 58 years on a dusty shelf in the Louis Wayne Moody Pictures vault, this previously unissued soundtrack contains a backpack’s worth of grieving guitars, somber surf, and haunting hiss, zipped tight with the teeth of abandonment, dashed dreams, moral ambiguity, fate, tearful goodbyes, and lukewarm diner coffee. 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Ghosts of his train robbing past and abandoned family in Peoria, Ill. drive The Man’s mind towards the lonely plains of madness and regret, culminating in a deadly shootout with a crooked Sheriff and his double crossing lover.\u003c\/span\u003e\u003cspan data-stringify-type=\"paragraph-break\" class=\"c-mrkdwn__br\" aria-label=\"\"\u003e\u003c\/span\u003e\u003cspan\u003eDiscovered after spending 55 years on a dusty shelf in the Louis Wayne Moody Pictures vault, this previously unissued soundtrack wraps up a hobo’s bindle full of traumatic tremolo, restless reverb and existential echo, knotted with the ropes of alienation, paranoia, dark alleys, prison, prostitution, roulette, and feminine betrayal. 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Crawling at a banana slug’s pace, Canaan wraps the loneliest one-string guitar solos around a cluster of hollow rhythms and ghostly mumbles. The original 2012 five-song CD has been expanded to include six other demos plundered from the prolific songwriter’s vault. 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