{"title":"Eccentric Soul 45s","description":"","products":[{"product_id":"mystiques-so-good-to-have-you-home-again-bw-put-out-the-fire","title":"So Good To Have You Home Again b\/w Put Out The Fire","description":"\u003cp\u003eFeaturing brothers Greg and Larry Magee, Kevin Rowan, and Basil Hughes, the Mystiques were a prodigious teenage band discovered at deep south side Fenger High’s talent show by Chess recording artist King Fleming. Their voices betrayed their age, and shortly after, Fleming had them in the studio cutting “Put Out the Fire” and “So Good to Have You Home Again” for an unambitious release on the miniscule Orr label. Dead on the vine, Fleming brought the group to the attention of Twinight, who in January of 1969 gave the single a courtesy promo-only release and promptly deleted the title. \u003c\/p\u003e\n","brand":"Twinight","offers":[{"title":"45","offer_id":40259336634566,"sku":"TWI112lp","price":12.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":40259336601798,"sku":"TWI112dig","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539202029.png?v=1626880340"},{"product_id":"george-mcgregor-the-bronzettes-temptation-is-hard-to-fight-bw-everytime-i-wake-up","title":"Temptation Is Hard To Fight b\/w Everytime I Wake Up","description":"\u003cp\u003eFor the third release on the freshly minted Twilight label (Twinight was still a few releases away from becoming a reality), it was already establishing itself as a harbor for eccentric sounds. From producer Jimmy Jones first pedal steel wail to the loping waltz rhythms, “Temptation Is Hard To Fight” comes out of leftfield as one of the most unique soul ballads recorded in Chicago in the 1960s. Jones brought in a girlfriend and few of her friends for wo-oo-oo-oo-ooohs, giving the cut an amature, yet haunted feel. \"Every Time I Wake Up\" is a thoroughly catchy mid-tempo R\u0026amp;B workout, featuring George McGregor's brother Billy fresh off his “Mr. Shy” sessions.\u003c\/p\u003e\n","brand":"Twinight","offers":[{"title":"Digital","offer_id":40259385327814,"sku":"TWI102digital","price":200.0,"currency_code":"USD","in_stock":true},{"title":"45","offer_id":40259385360582,"sku":"TWI102lp","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539201994.png?v=1626880338"},{"product_id":"nate-evans-pardon-my-innocent-heart-bw-main-squeeze","title":"Pardon My Innocent Heart b\/w Main Squeeze","description":"\u003cp\u003eWith this, easily among themost sought-after 45s on \u003ca href=\"http:\/\/numerogroup.ten-grand.com\/products\/eccentric-soul-twinights-lunar-rotation\"\u003eTwinight,\u003c\/a\u003e Gary, Indiana’s own Nate “Tobacco Road” Evans turned in a stunning 1972 double-sider. The single is best regarded for \"Main Squeeze,\" a triumphant mid-tempo number with uplifting horn stabs penned by Earl Randle prior to his work at Hi in Memphis. But it's Evans’ original work, “Pardon My Innocent Heart,” that's the real bottle-breaker. Dark and brooding, with backing by the Kitty Haywood singers, it's a perfect cap to Twinight's impressive five-year, 56-release gallop through the Chicago night.\u003c\/p\u003e\n\u003cp\u003eEasily among the most sought-after 45s on Twinight, Gary, Indiana’s own Nate “Tobacco Road” Evans turned in a stunning 1972 double-sider and final release for the label. The 45 is best regarded for “Main Squeeze,” a triumphant mid-tempo number with uplifting horn stabs penned by Earl Randle prior to his work at Hi in Memphis. But it's Evans’ original work, “Pardon My Innocent Heart,” that's the real bottle-breaker. Dark and brooding, with backing by the Kitty Haywood singers, it's a perfect cap to Twinight's impressive five-year, 56-release gallop through the Chicago night.\u003c\/p\u003e","brand":"Twinight","offers":[{"title":"45","offer_id":40259385721030,"sku":"TWI156lp","price":12.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":40259385655494,"sku":"TWI156dig","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539202068.png?v=1626880343"},{"product_id":"renaldo-domino-not-too-cool-to-cry-bw-nevermore","title":"Not Too Cool To Cry b\/w Nevermore","description":"\u003cp\u003eFrom Eccentric Soul: Twinight’s Lunar Rotation, Renaldo Domino’s on his knees on this begging classic, now available just the way you want it, on vinyl and spinning at 45 revs every damn minute. “Nevermore” is the flip, a solid “go away girl” b-side cut.\u003c\/p\u003e\n","brand":"Twinight","offers":[{"title":"45","offer_id":44552651112646,"sku":"TWI128lp","price":12.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":40259732668614,"sku":"TWI128dig","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539201547.png?v=1626880295"},{"product_id":"sidney-pinchback-the-schiller-street-gang-soul-strokes-bw-remind-me","title":"Soul Strokes b\/w Remind Me","description":"\u003cp\u003eHoping to cash in on the instrumental craze made popular by Cadet’s Soulful Strings project, Twinight hired journeyman guitarist Sidney Pinchback to set down a few psychedelic licks over the backing tracks for Syl Johnson’s “Different Strokes.” For “Remind Me”—credited to the Schiller Street Gang (a reference to the street Twinight co-owner Howard Bedno lived on)—Pinchback laid down fuzzy ruminations where Syl Johnson’s never-tracked vocals were slated to appear. Cut at Chess’s Ter Mar studio, the band was likely a mixture of Richard Pegue’s house band the South Shore Commission and whatever session players were hanging about that day. Both cuts have a distinct \u003cem\u003eElectric Mud\u003c\/em\u003e by way of Rotary Connection feel to them, and were slated to appear on an all-instrumental LP by the Chicago Sound Machine, which never materialized.  \u003c\/p\u003e\n","brand":"Twinight","offers":[{"title":"45","offer_id":40259733160134,"sku":"TWI114lp","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40259733061830,"sku":"TWI114dig","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539201584.png?v=1626880297"},{"product_id":"perfections-which-one-am-i-bw-why-do-you-want-to-make-me-sad","title":"Which One Am I b\/w Why Do You Want To Make Me Sad","description":"\u003cp\u003eFrom the idiosyncratic mind of Nickel and Penny labels proprietor Richard Pegue sprouted these two sweet soul gems in 1969. The Perfections were merely the latest line-up of Pegue’s high school group the Norvells, at that point made up of Lamont Boston, Claude Wyatt, Larry Williams, and William Smith. He paired a new recording, the heavenly “Which One Am I,” featuring Cindy Redd from the Voices, with the little known recording “Why Do You Want To Make Me Sad,” originally released as the Norvells on Penny. ”Which One Am I” is signature Pegue, whose eccentric and stirring productions flirted with orchestral pop and gospel, but were always steeped in the doo-wop tradition of his youth.\u003c\/p\u003e\n","brand":"Twinight","offers":[{"title":"Digital","offer_id":40259743547590,"sku":"TWI126dig","price":2.0,"currency_code":"USD","in_stock":true},{"title":"45","offer_id":40259743580358,"sku":"TWI126lp","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539201698.png?v=1626880307"},{"product_id":"stormy-the-devastator-bw-i-wont-stop-to-cry","title":"The Devastator b\/w I Won't Stop To Cry","description":"\u003cp\u003eIntended as an introduction to Stormy, the man, the myth, the legend, “The Devastator” is a boastful proto-funk number accented wonderfully by the thoroughbred backing musicians. “I Won’t Stop To Cry” has been a northern soul fave since back in the Wigan days. While the single failed to “devastate,” John Colley hit pay dirt a few months later co-writing the novelty cash-in hit “Psychedelic Soul” by Saxie Russell for the Thomas label. \u003c\/p\u003e\n","brand":"Twinight","offers":[{"title":"45","offer_id":40259744235718,"sku":"TWI104lp","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40259744202950,"sku":"TWI104dig","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539201739.png?v=1626880309"},{"product_id":"pieces-of-peace-pass-it-on-pt-1-bw-pt-2","title":"Pass It On Pt. 1 b\/w Pt. 2","description":"\u003cp\u003eThough they were the most revered group of session musicians in Chicago, the Pieces Of Peace only managed to issue one recording during their larger-than-life existence. As a live band, they backed almost every major Chicago artist at one time or another, including luminaries such as Jackie Wilson, Syl Johnson, Gene Chandler, and the Artistics.  But in their spare time, they had developed a unique, hard funk sound with Afro-centric sensibilities that had one foot in the mainstream R\u0026amp;B of their \"day job,\" and the other in Chicago’s underground scene led by Phil Cohran and his Artistic Heritage Ensemble and the Pharaohs. \"Pass It On” is an early step in the development of the Pieces Of Peace sound. Percussion heavy, lengthy bass vamps, and jazzy solos that meander well off page forced the jam to be broken out over two sides of a 45. \u003c\/p\u003e\n","brand":"Twinight","offers":[{"title":"45","offer_id":40259751346374,"sku":"TWI142lp","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40259751313606,"sku":"TWI142dig","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539201826.png?v=1626880315"},{"product_id":"rollers-knockin-at-the-wrong-door-bw-one-little-piece","title":"Knockin’ At The Wrong Door b\/w One Little Piece","description":"\u003cp\u003eSpliced alongside a handful of other Deep City instrumental takes, these two cuts were the first evidence that the grip of tapes that had turned up at famed Miami producer Willie Clarke’s ex-wife’s house would yield incredible fruit. No date was listed on the tape, but both were recorded at Criteria, and more than likely after 1969 as the melody for the former takes a heavy bite from the Jackson 5’s “I Want You Back.” Though no official Rollers records were issued in their time, the quartet of Shirley Levan, Betty Joe Johnson, Sharon Simmons, and Mary Smith—sister of Helene Smith—would later issue several singles under the Diamonettes banner. \u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"Digital","offer_id":40259756622022,"sku":"ES001dig","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Vinyl","offer_id":41151164448966,"sku":"ES001lp","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539201904.png?v=1626880321"},{"product_id":"eddie-ray-wait-a-minute-bw-wait-a-minute-instrumental","title":"Wait A Minute b\/w Wait A Minute (Instrumental)","description":"\u003cp\u003eThe unissued third single from the Prix label’s unsung star Eddie Ray, cut directly from the original 15 IPS master. Tracked in 1972 just as Clem Price and George Beter’s Columbus imprint was shutting its doors, “Wait A Minute” is a bombastic slice of uptempo Northern Soul that owes a serious debt to Curtis Mayfield. \u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"Digital","offer_id":40259757146310,"sku":"ES002dig","price":2.0,"currency_code":"USD","in_stock":true},{"title":"45","offer_id":40259757179078,"sku":"ES002lp","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539201942.png?v=1626880325"},{"product_id":"maso-poon-tang-thump-part-1-bw-part-2","title":"Poon Tang Thump Part 1 b\/w Part 2","description":"\u003cp\u003eSteve Byrd, known to his friends as “The Birdman,” was a songwriter and arranger, given to stomping around in cowboy boots and feathered ten-gallon hats, flouting his university degree in music composition. After impressing Arrow Brown with his credentials, Byrd became a regular fixture at the Bandit greystone and his Michigan Avenue Sound Orchestra was arguably the most over-the-top act ever handled by the label. \u003cbr\u003e\n\u003cbr\u003e\n1977's “Poon Tang Thump”—the Orchestra’s only output—burned through two sides of a 45, offering an epic, multipart instrumental funk suite that took its cues from Isaac Hayes, \u003cem\u003eSuperfly\u003c\/em\u003e, and the soundtrack soul of the blaxploitation era. In classic Bandit fashion, only a handful of copies of “Thump” are known to exist today.\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"Digital","offer_id":40259759407302,"sku":"ES003dig","price":2.0,"currency_code":"USD","in_stock":true},{"title":"45","offer_id":40259759440070,"sku":"ES003lp","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539201865.png?v=1626880330"},{"product_id":"triads-now-i-can-hold-my-head-up-high-bw-if-youre-looking-for-love","title":"Now I Can Hold My Head Up High b\/w If You're Looking For Love","description":"\u003cp\u003eAfter some bloody conflict around the office concerning which side of The Triads’ superb but solitary single was going to be included on our Home Schooled: The ABCs of Kid Soul compilation, an accord was finally achieved. And, yep, you guessed it, both sides see the light of day on this red-labelled slab of wax, emblazoned with the original GIMP logo. “Now I Can Hold My Head Up High” moves at something of a mid-tempo pace, but it’s just as irresistible as harder-edged flip.\u003c\/p\u003e\n\u003cp\u003eAll the way down in Tampa, Studio 70 and Gimp label proprietor Blair Mooney was chasing kid soul aspirations of his own. Backed by a hard funk ensemble, the Triads “If You’re Looking For Love” b\/w “Now I Can Hold My Head Up High” put the Jackson 5’s pop-soul on notice, but not outside of Hillsborough County. The 1975 single’s lack of national distribution crippled the Triads’ ability to grow, but regardless, the group were still a few lucky breaks away from challenging even the second tier. Mooney remembers nothing about the group, making this single the only public evidence of their existence.  \u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"Digital","offer_id":40259792273606,"sku":"ES005digital","price":2.0,"currency_code":"USD","in_stock":true},{"title":"45","offer_id":40259792339142,"sku":"ES005lp","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539202138.png?v=1626880354"},{"product_id":"wee-try-me-bw-teach-me-how","title":"Try Me b\/w Teach Me How","description":"\u003cp\u003eIn the wake of Capsoul’s collapse, songwriter Norman Whiteside was left to fend for himself in a much bleaker Columbus, Ohio. After a few misfires and false alarms, he finally found a home in (Prix recording artist) Joe King’s band Wee. A few personal problems sidelined Joe shortly thereafter, and Wee became the Norman Whiteside project. “Try Me” epitomizes Norman's vision: glimmering mid-tempo grooves that wink at disco sound without shirking their own soulful ambition. “Teach Me How” slows it down to a stepper’s tempo.\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"Digital","offer_id":40259800694982,"sku":"ES006dig1","price":2.0,"currency_code":"USD","in_stock":true},{"title":"45","offer_id":40259800727750,"sku":"ES006lp","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539202169.png?v=1626880358"},{"product_id":"eddie-the-ant-hill-mob-the-number-runner","title":"The Number Runner","description":"\u003cp class=\"dropcap\"\u003eDuring our excavation of the Boddie Recording Studio, a mysterious tape marked Ant Hill Mob turned up. On our return trip, Dante Carfagna turned up the codex for the entire studio, which lead to the discovery of this unissued Soul Kitchen 45. “Number Runner Parts 1 \u0026amp; 2\" falls in right around the time of Boddie’s Creations Unlimited 45, made while breathing the same psychedelic fumes pouring out of Thomas and Louise Boddie’s pressing plant smoke stack.\u003cbr\u003e \u003cbr\u003e Ezra “Eddie” Robitson, born into a musical family on Cleveland’s East Side, was taken under the wing of his singing aunt Ruby Carter. Her only soul single, 1971’s “What About Me” b\/w “Unlucky Girl,” was pressed at Boddie, issued on Lester Johnson’s \u003ca href=\"http:\/\/dev.numerogroup.com\/products\/eccentric-soul-the-way-out-label\"\u003eWay Out\u003c\/a\u003e label, and enjoyed modest local airplay. When Ruby’s band the Exceptional Three split, young Eddie was pulled in to handle bass for Carter’s new live band. With chops honed on the Cleveland club circuit, Eddie began drafting a band of his own. Built from fellow John F. Kennedy High alums, his Ant Hill Mob included singer Rahman Melton, trap-setter Mike Wilson, percussionists Norman Robinson and Kenny Clay, and 15-year-old Michael Hampton on guitar. Their 1972 schedule included regular gigs at the Harris family–owned Sir Rah House and Robert’s Steak House (home of the “Big Rob Hamburger”).\u003cbr\u003e \u003cbr\u003e The Ant Hill Mob name refers, of course, to Clyde, Ring-A-Ding, Mac, Danny, Rug-Bug Benny, Willy, and Kirby—the tommy gun–toting crew of gangster dwarfs that first appeared in Hanna-Barbera’s Wacky Races cartoon series. The group’s sole recording session saw them at work on a similar fantasy, detailing the lifestyle of a number runner—the pusher, essentially, for illegal, ghetto-based lottery schemes. Neither Eddie nor any member of the group, as far as he knew, ever actually worked in this lucrative field. Records show that Thomas Boddie issued “I’m A Number Runner” with a black-type-on-yellow Soul Kitchen label, pressing an absurdly optimistic 1,000 copies. Although the band members each received a copy, only one example has ever surfaced in the public sphere.\u003c\/p\u003e","brand":"Numero Group","offers":[{"title":"45","offer_id":40260682711238,"sku":"ES007lp","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40260682678470,"sku":"ES007dig","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539202205.png?v=1626880410"},{"product_id":"boddie-acetate-box","title":"Acetate Box","description":"\u003cp\u003eCulled from the Boddie Recording Company’s massive tape archive, this triple-45 box set captures the essence of Thomas Boddie’s custom recording outfit. Recorded in the late ’60s and early ’70s, the performers from all three discs are completely unknown, save for the fact that they cut two killer cuts before disappearing. Housed in a stark, white box and wrapped in Boddie-branded kraft tape for maximum minimalist effect. \u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"Digital","offer_id":40260683595974,"sku":"ES001dig","price":6.0,"currency_code":"USD","in_stock":true},{"title":"3x45","offer_id":40260683628742,"sku":"ES001box","price":17.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539015510_c0cbfe93-228b-498a-99e5-6b7d4ee9f992.jpg?v=1626880412"},{"product_id":"four-mints-no-longer-bw-endlessly","title":"No Longer b\/w Endlessly","description":"\u003cp\u003eThe story of the Capsoul master tapes is well known: after City National Bank of Columbus foreclosed on the debt the label incurred to found the city’s most successful soul label, owner Bill Moss hid the tapes at a family friend’s farm in Central Ohio, looking to dodge repossession. But a flood finished the job that the bank started, and Capsoul’s legacy was left to the hands of soul collectors who arrived a generation later. Or so everyone thought. Unearthed in songwriter Dean Francis’ basement were two then-unheard Four Mints songs, produced by Francis and recorded in the Capsoul studios with the Capsoul session musicians. “No Longer” and “Endlessly” made for a fitting postscript to the Capsoul story, told by the label’s greatest group, and pressed here to bevel-edged 45s with lovingly recreated label art—a full invocation of the magic of an original Bill Moss production.\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"Digital","offer_id":40260700078278,"sku":"ES012dig","price":3.0,"currency_code":"USD","in_stock":true},{"title":"45","offer_id":41151633850566,"sku":"ES012lp","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539202394.png?v=1626880417"},{"product_id":"deacons-fabulous-fascinators-feat-the-royal-revue-sock-it-to-me-bw-is-it-because-im-black","title":"Sock It To Me b\/w Is It Because I'm Black","description":"\u003cp\u003eFrom the mighty pen of Syl Johnson! Side A finds Syl’s brother Jimmy and his Chicago-based Deacons taking a largely instrumental stab at “Come On Sock It To Me,” replete with background party chants and laughter. The flip is from San Antonio’s Fabulous Fascinators, who turn in a stirring psychedelic-blues version of “Is It Because I’m Black.”\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"45","offer_id":40260707680454,"sku":"ES013lp","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539202441.png?v=1626880422"},{"product_id":"penny-the-quarters-you-and-me-bw-some-other-love","title":"You and Me b\/w Some Other Love","description":"\u003cp\u003eSometime in 2005, a lone box of master tapes escaped an estate sale and made its way through a network of collectors, record dealers, and “junkers” into the hands of leading Ohio soul expert Dante Carfagna, who linked them to Columbus, Ohio’s mysterious Prix label (See: Eccentric Soul: The Prix Label). A bit of research turned up Prix proprietor George Beter, who identified most of the unlabeled material. All it took was an endless series of phone calls and letters and two fields trips in Columbus. But one complete mystery wended its way onto our final Prix compilation. “You and Me,” a simple but irrepressible demo credited only to Penny \u0026amp; the Quarters, was found tacked onto a mixed studio reel. Our survey of every willing lifer left on the Columbus soul scene, including retired DJs, producers, and important local artists, produced not so much as a glimmer of recognition at the name Penny \u0026amp; the Quarters. Though we loved the song from the first play, it may’ve ended up a bit buried on our original compilation, as #18 of 19 tracks.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFour years later, Eccentric Soul: The Prix Label hadn’t exactly become a huge seller, although listeners had repeatedly told us that the unfiltered studio demos that fill out the record’s back half were true diamonds in the rough. But neither Penny nor her Quarters had appeared to claim credit for their efforts. Then, completely out of left field, we heard from respected screen actor and avowed Numero fan Ryan Gosling that Penny’s piercing bit of stripped down doo-wop was being considered for inclusion in Derek Cianfrance’s indie-weeper film Blue Valentine. What we didn’t know was that “You and Me” had won a major role in what became an indie circuit hit, and that Penny \u0026amp; the Quarters would instantly assume the role of world’s most famous unknown doo-wop group.\u003c\/p\u003e\n\u003cp\u003eEvery week is a slow news week in Columbus, Ohio, and early January 2011 found the city recovering from the thrill of elevating Ted Williams—the formerly homeless guy with the awesome voice for radio—into a national news sensation. But both major daily newspapers in town, as well as the city’s alternative weekly, also ran stories about how a lost and unknown Columbus soul group had become the musical centerpiece of a film already garnering Oscar buzz. That mainstream spotlight aimed at Blue Valentine and Penny \u0026amp; the Quarters did the trick: we finally made contact with the widow of Jay Robinson, lead Quarters’ singer and songwriter. Robinson, it turned out, had also been the leader of Columbus doo-wop pioneers The Supremes (later known as “The Columbus Supremes,” for reasons which should be obvious). Jay Robinson never did give up on the dream of writing a hit record; even so, the posthumous realization of his dream is cold comfort for his widow and daughter. With their blessings, we returned to those estate sale masters and pulled down another neglected track (“You Are Giving Me Some Other Love”) from the still-unknown Penny and her now-partly-known Quarters. “You and Me” is a song that could not be suppressed: not when Prix failed to release it; not when Penny \u0026amp; the Quarters were forgotten; not when Numero stuck it at the bitter end of a much overlooked compilation. Its evolution from estate sale trash to silver-screen gold has finally returned it to big-hole 45, where it probably should have lived all along.\u003c\/p\u003e","brand":"Numero Group","offers":[{"title":"45 (Blue Valentine Vinyl w\/ Blue Sleeve)","offer_id":44383129862342,"sku":"ES018lp-C3","price":13.0,"currency_code":"USD","in_stock":false},{"title":"45 (Orange Vinyl w\/ Pic Sleeve)","offer_id":41023502254278,"sku":"ES018lp-C2","price":13.0,"currency_code":"USD","in_stock":false},{"title":"45 (Purple Vinyl w\/ Pic Sleeve)","offer_id":40260719313094,"sku":"ES018lp-C1","price":13.0,"currency_code":"USD","in_stock":false},{"title":"45","offer_id":40260719280326,"sku":"ES018lp","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40260719247558,"sku":"ES018dig","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/files\/ES018_mockup.png?v=1737039230"},{"product_id":"memphis-soul-dont-down-me-people-pt-1-bw-pt-2","title":"Don't Down Me People Pt. 1 b\/w Pt. 2","description":"\u003cp\u003eConstructed around a sunburned guitar lick of prominence, Phoenix bluesman George Bowman’s unreleased two-parter “Don’t Down Me People” is a lost document of Arizona’s under-publicized soul output. Simple in design, passionate in delivery, this blues-funk landmine from the late-’60s sits at the rarely traversed intersection of the J.B.s and the Band of Gypsys. This 45 contains canyons of wide-open drums, courtesy of Dyke and the Blazers original timekeeper, Rodney Brown.\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"Digital","offer_id":40260846223558,"sku":"ES027digital","price":2.0,"currency_code":"USD","in_stock":true},{"title":"45","offer_id":40260846256326,"sku":"ES027lp","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539203006.png?v=1626880456"},{"product_id":"chuck-mac-powerful-love-bw-the-bear","title":"Powerful Love b\/w The Bear","description":"\u003cp\u003e\u003cbr\u003e\nThe eleventh entry in our ongoing Twinight 45 reissue series grabs two extremely rare sides from Cairo, Illinois’ Sam \u0026amp; Dave clones Chuck \u0026amp; Mac. “Powerful Love” is a gutty southern shouter, while “The Bear” works the straight-forward funk angle. After Roosevelt “Mac” Matthews mustered out of Billy Ball \u0026amp; the Upsetters, he connected with Aubrey “Chuck” Wallace and cut a single for their own Ruby label with Oliver Sain. A second Sain session produced their signature pleader “Powerful Love,” prompting the duo to head north to Chicago for a shot at the ring. The record was quickly purchased by Twinight, who issued a one-time promo pressing shortly after. 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Bearing the Amazing banner, this disc marked the first recorded appearance of the band that evolved into Al Hudson's Soul Partners (“Spread Love”) and eventually One Way. The flip hands the band its chance to shine with “Just Fun,” a simple—and essential—reprise of “Wait For Me” as instrumental.\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"Digital","offer_id":40260939251910,"sku":"ES033dig","price":2.0,"currency_code":"USD","in_stock":true},{"title":"45","offer_id":40260939284678,"sku":"ES033lp","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539203514.png?v=1626880529"},{"product_id":"james-dockery-my-faith-in-you-is-all-gone-bw-giving-you-the-love-you-need","title":"My Faith In You Is All Gone b\/w Giving You The Love You Need","description":"\u003cp\u003eA few years before Maurice White and Earth, Wind \u0026amp; Fire established their Los Angeles outpost, James Dockery made that same Chicago-to-LA trek alone and deeply embedded himself in the soul music culture of the Left Coast. Alert soul aficionados will note the name Art Monday IV, better known as Arthur Monday for his “What Goes Around Comes Around” 45 on Stage Music. Monday brought that record’s same buoyant production to Dockery's solo turn on “My Faith In You Is All Gone,” penned by one-time Syl Johnson—and future Al Green—songwriter Earl Randle. Sporting Soul Craft’s unadorned red label, “What Goes Around Comes Around” is not only gold in the North of England, but a contagious soul eccentricity with appeal for ears in every cardinal direction.\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"Digital","offer_id":40260940038342,"sku":"ES032digital","price":2.0,"currency_code":"USD","in_stock":true},{"title":"45","offer_id":40260940071110,"sku":"ES032lp","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539203553.png?v=1626880531"},{"product_id":"young-souls-quit-waiting-for-tomorrow-to-come-bw-puppet-on-a-string","title":"Quit Waiting For Tomorrow To Come b\/w Puppet On A String","description":"\u003cp\u003eThe nothing that is known about the Young Souls corresponds perfectly to the band’s brief existence, during which it never even eked out a single release. Their bid to leave a recorded legacy was left to producer\/manager Earl Wiley, who commissioned a demo session to capture several of his own compositions. Stripped down to their bare bones, the Young Souls burn brilliant over minimal arrangements. “Quit Waiting For Tomorrow To Come” is a mid-tempo stepper guaranteed to instantly earn its spot in discerning deejay play boxes, while “Puppet On A String” fulfills the tasteful group-harmony ballad prerequisite.\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"Digital","offer_id":40260940923078,"sku":"ES035digital","price":2.0,"currency_code":"USD","in_stock":true},{"title":"45","offer_id":40260940955846,"sku":"ES035lp","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539203594.png?v=1626880533"},{"product_id":"signs-of-the-time-hurts-so-bad-bw-i-think-of-you","title":"Hurts So Bad b\/w I Think Of You","description":"\u003cp\u003eAdding to a list that includes Little Anthony \u0026amp; the Imperials, Linda Ronstadt, Jackie DeShannon, Grant Green, and the Delfonics, Boyce \u0026amp; Hart’s 1965 hit “Hurts So Bad” gets remade St. Louis-style on Signs of the Time unreleased second single. Produced by former Elements of Peace guitarist Mel Turnage, the quintet’s throwback sound was out of synch with the turned-on ’70s, but through the lens of time their spooky, bare-bones, street corner beat-ballad vibe will hit any soul lover’s sweet spot.\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"Digital","offer_id":40260941217990,"sku":"ES030digital","price":2.0,"currency_code":"USD","in_stock":true},{"title":"45","offer_id":40260941250758,"sku":"ES030lp","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539203449.png?v=1626880536"},{"product_id":"notations-this-time-im-for-real-bw-that-girl","title":"This Time I'm For Real b\/w That Girl","description":"\u003cp\u003eAfter Chicago’s Twinight label flamed out late in 1971, The Notations found themselves cutting on the far west side at Gene Cash’s custom Cash Recording studio. 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Jose Williams, chronicled elsewhere by Numero on \u003cem\u003eEccentric Soul: A Red Black \u0026amp; Green Production\u003c\/em\u003e. Although the title scrawled on the tape box wasn’t exactly accurate, there’s no doubting the source: it’s a tune called “Nothing from Nothing,” originally recorded for Bobby Sanders’ Pick-A-Hit label. There are no clues left as to how it made the trek across the country to the District of Columbia and wound up in the capable hands of Renee Acker. But it’s a gem of a song and while it didn’t quite fit alongside other productions helmed by Williams, we deemed it a necessity for our subscribers, and dressed it up with the distinctive label that acetates from Edgewood Studios bore.\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"45","offer_id":40260969496774,"sku":"ES029lp","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/atom-1539203324.png?v=1626880564"},{"product_id":"herman-jones-i-love-you-bw-im-broke","title":"I Love You b\/w I'm Broke","description":"\u003cp\u003eHerman Jones’ wicked modern slapper “I Love You” stayed in the can and on a shelf in his Minneapolis home prior to our unearthing on 2013’s \u003cem\u003ePurple Snow: Forecasting The Minneapolis Sound\u003c\/em\u003e box set. 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After failing to find a label home for “I Can Remember,” they made the descent into neighboring Independence, Missouri’s fabled subterranean Cavern Studios, erected inside the mouth of an actual limestone fissure. “Living in the Past” is a nostalgic drift through wistful falsetto and low-riding narration, while “Strange Happenings” is truly exceptional: an unnaturally good funk workout from a virtually undocumented Kansas City soul act. This previously unreleased pairing was unearthed, with assistance from “Bump” Scott himself, during the Numero Group’s KC-focused research for 2013’s \u003cem\u003eEccentric Soul: The Forte Label\u003c\/em\u003e collection.\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"45","offer_id":40261043912902,"sku":"ES040lp","price":12.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":40261043880134,"sku":"ES040dig","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/ES040_UnnaturalFunkBand_StrangeHappiness_45_Black.jpg?v=1663262316"},{"product_id":"master-plan-inc-try-it-youll-like-it-bw-intro","title":"Try It (You'll Like It) b\/w Intro","description":"\u003cp\u003eThis pair of Minneapolis-by-way-of-Chicago tracks masterfully capture Master Plan Inc.’s silky vocal moves and break-heavy, horn-laden funk riffs. Led out of the early ’70s by vocalist Doug Shorts—alongside guitarist Joe Stevenson, drummer Dean Knox, and bassist Eddie Manning—Master Plan Inc.’s brief 1975 furlough in Minneapolis came at an opportune moment, as rising studio wiz David “Z” Rivkin scoured his Twin City environs for black talent. A year shy of his contract-fetching demo for local prodigy Prince Rogers Nelson, Rivkin mapped out the Sound 80 facility for Master Plan, who put down four tracks. Shorts cracked his piggy bank, paid Rivkin for the Sound 80 tapes, and brought them to Chicago, where he paired up at Stereosonic with engineer Ed Cody, for mixing and finishing touches. Plans for a pressing fell through, and Master Plan Inc. sketched out several new lineups before folding in 1980.\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"45","offer_id":40261044207814,"sku":"ES039lp","price":12.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":40261044175046,"sku":"ES039dig","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/ES039_MasterPlanInc_TryItYoullLikeIt_45_Black.jpg?v=1663175023"},{"product_id":"calvin-harris-loves-recipe-bw-wives-get-lonely-too","title":"Love's Recipe b\/w Wives Get Lonely Too","description":"\u003cp\u003ePreviously unreleased, this 1972 pair of Calvin Harris’ masterfully crafted Earl Wiley-produced sweet soul demos might’ve stayed totally unknown, if it weren’t for Ed Cody’s devious forethought. An engineer at Chicago’s Stereosonic facility, Cody duped himself a submaster reference copy of the complete session. In ’73, Wiley heard “Love Won’t Pay The Bills” on 45—credited to a group called Elevation—and instantly recognized the Cody-engineered track as his own. Nearly 40 years later, through Numero Group research into Stereosonic, Cody, and Wiley, a cache of Cody masters presented themselves for new evaluation. The alternately buoyant and sobering odes to domesticity reproduced here finally grant honey-voiced Harris and the talented Wiley their long-deserved due.\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"45","offer_id":40261049581766,"sku":"ES034lp","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40261049548998,"sku":"ES034digital","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/ES034_CalvinHarris_LovesRecipe_45_Black.jpg?v=1662597774"},{"product_id":"unknown-artist-cemetery","title":"Cemetery","description":"\u003cp\u003eAvailable only to Numero’s 2013 LP, CD, and 45 subscribers, “Cemetery” Parts 1 \u0026amp; 2 is an afterlife away from your everyday 45. We wouldn’t put a weird and hellish beast on the label unless there’s weird and hellish beastliness to be had in the black that encircles him:\u003cbr\u003e\n\u003cbr\u003e\n• Maniac Murgatroyd Beauregard, The Ghoul\u003cbr\u003e\n• King Richard Rigor Mortis III\u003cbr\u003e\n• Princess Sally, daughter to King Richard\u003cbr\u003e\n• A Chorus\u003cbr\u003e\n\u003cbr\u003e\nAs for setting, some of the gothic and occultish funk action (recorded in Chicago in the late 1970s by who knows who) takes place on March 12, 1801. Some of it happens 200 years later, on March 12, 2001. All of it is pretty fucking creepy. And there’s solid evidence that it all goes down at Oak Hill Cemetery of Gary, Indiana. 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Many years in the making, this limited replica 45 is a tribute to both Numero’s hometown and the late Bob Abrahamian.\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"45","offer_id":40261264965830,"sku":"ES050LP","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40261264900294,"sku":"ES050digital","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/ES050_OtisBrown_IveGotAnother_45_Black.jpg?v=1660676818"},{"product_id":"funka-fize-because-youre-funky-bw-no-words","title":"Because You're Funky b\/w No Words","description":"\u003cp\u003eWhile assembling the \u003ca href=\"http:\/\/www.numerogroup.com\/products\/eccentric-soul-omnibus\"\u003e\u003cem\u003eEccentric Soul Omnibus\u003c\/em\u003e\u003c\/a\u003e in 2012, we’d hoped to include “Because You’re Funky” b\/w “No Words” by Funka Fize. 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The results were raw, magical, heavy-hitting funk. Issued here on a bright replica Suncut label with bottom-heavy refurbished sound.\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"45","offer_id":40261271158982,"sku":"ES048LP","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40261271126214,"sku":"ES048dig","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/ES048_PerkBadger_DoYourStuff_45_Black.jpg?v=1660675122"},{"product_id":"mind-matter-im-under-your-spell-bw-sunshine-lady","title":"I'm Under Your Spell b\/w Sunshine Lady","description":"\u003cp\u003eIn March of 1977, Minneapolis nonet Mind \u0026amp; Matter booked time at Creation Audio on Old Shakopee Road in suburban Bloomington to record “I’m Under Your Spell” and “Sunshine Lady.” Written by a teenaged Jimmy “Jam” Harris, these danceable numbers document the prolific songwriter taking baby steps as a budding super producer. A percussionist-turned-pianist, Harris’s playful use of glockenspiel would reappear in subsequent productions for S.O.S. Band, Cherrelle, and Alexander O’Neal.\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"45","offer_id":40261272797382,"sku":"ES051lp","price":12.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":40261272764614,"sku":"ES051dig","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/ES051_MindMatterImUnderYourSpell_45_Black.jpg?v=1660674556"},{"product_id":"ned-doheny-to-prove-my-love-bw-vocal-version","title":"To Prove My Love b\/w Vocal Version","description":"\u003cp\u003eIn anticipation of Ned Doheny’s March 2015 tour of the UK, we pressed up a limited pic sleeve 45 of the cut that first made Ned famous across the pond. For reasons not entirely clear, the infectious \u003cem\u003eProne\u003c\/em\u003e opener “To Prove My Love” debuted in 1979 on the Japanese-only LP with its verses omitted. This “TV Track,” as such items were known, was provided by engineers to facilitate televised performances or opportunities for voiceovers. Whether utilized by mistake or by preference, Ned Doheny’s third and final album of the ’70s has spent the last three decades with a piece missing. In various compact disc reissues from various land masses, the TV Track and Vocal versions have been used interchangeably with no distinction. This 45 exists to give the listener control over which “To Prove My Love” they can remain faithful to.\u003c\/p\u003e\n","brand":"Numero","offers":[{"title":"45","offer_id":40261300388038,"sku":"NUM052.75LP","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NUM052_75_NedDoheny_ToProveMyLove_45_Black.jpg?v=1659553141"},{"product_id":"the-young-senators-ringing-bells-sweet-music-part-1-bw-part-2","title":"Ringing Bells (Sweet Music) Part 1 b\/w Part 2","description":"\u003cp\u003eThe Young Senators are an exemplary progenitor of DC’s hyper-local, hyper-celebrated Go-Go scene. Peers of Chuck Brown’s Black Heat and Soul Searchers, the septet was led by energetic singer and conga player Jimi Dougans, and featured saxophonist Leroy Flemming, guitarist Calvin Charisty, keyboardist Frank Hooker, drummer James Johnson, bassist Wornell Jones, and trumpeter Phillip Guilbeau. The band issued two singles on the the tiny Innovation label, before joining up with Motown’s Eddie Kendricks in 1972 for his sophomore effort \u003cem\u003ePeople…Hold On\u003c\/em\u003e. The Young Senators’ fuzzed-out brand of psychedelic soul is often bootlegged, but finds it first legitimate release in 45 years via these remastered sides.\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"45","offer_id":43538969100486,"sku":"ES055lp","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40261546246342,"sku":"ES055dig","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/ES055_TheYoungSenators_RingingBells_45_Black.jpg?v=1659033927"},{"product_id":"the-young-senators-jungle-bw-thats-the-way-it-is","title":"Jungle b\/w That's The Way It Is","description":"\u003cp\u003eThe Young Senators are an exemplary progenitor of DC’s hyper-local, hyper-celebrated Go-Go scene. Peers of Chuck Brown’s Black Heat and Soul Searchers, the septet was led by energetic singer and conga player Jimi Dougans, and featured saxophonist Leroy Flemming, guitarist Calvin Charisty, keyboardist Frank Hooker, drummer James Johnson, bassist Wornell Jones, and trumpeter Phillip Guilbeau. The band issued two singles on the the tiny Innovation label, before joining up with Motown’s Eddie Kendricks in 1972 for his sophomore effort \u003cem\u003ePeople…Hold On\u003c\/em\u003e. The Young Senators’ fuzzed-out brand of psychedelic soul is often bootlegged, but finds it first legitimate release in 45 years via these remastered sides.\u003c\/p\u003e","brand":"Numero Group","offers":[{"title":"45","offer_id":40261547589830,"sku":"ES054lp","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/ES054_TheYoungSenators_Jungle_45_Black.jpg?v=1659033448"},{"product_id":"them-two-am-i-a-good-man-bw-love-has-taken-wings","title":"Am I A Good Man b\/w Love Has Taken Wings","description":"\u003cp\u003eA sinewy guitar, a throbbing bass, and a chorus of haunting females oohs… \u003ca href=\"http:\/\/www.numerogroup.com\/products\/eccentric-soul-the-deep-city-label\"\u003eEccentric Soul: The Deep City Label\u003c\/a\u003e  started with one unrelenting pleader of a track: Them Two’s “Am I A Good Man.” Since its 2006 re-release, “Am I A Good Man” has appeared in dozens of films and television shows and has been sampled by the likes of Ghostface Killah and 50 Cent. Ten years later, this deep soul classic from Miami returns to its original format with it’s long-vaulted B-side “Love Has Taken Wings” on the reverse. Both songs were co-written by Clarence “Blowfly” Reid and produced by Liberty City wunderkinds Johnny Pearsall and Willie Clarke. \u003cbr\u003e\n\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"45","offer_id":40261693079750,"sku":"ES057lp","price":12.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":40261693046982,"sku":"ES057dig","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/ES057_ThemTwo_IAmAGoodMan_45_Black.jpg?v=1658428504"},{"product_id":"dry-bread-yamar-bw-words-to-my-song","title":"Yamar b\/w Words To My Song","description":"\u003cp\u003eSteeped in Caribbean flavor and seasoned with a fistful of hand-percussion, “Ya Mar” was initially sidelined from 2009’s \u003cem\u003eCult Cargo: Grand Bahama Goombay\u003c\/em\u003e. Phish fans may recognize this previously unattainable A-side as it as been a staple in their set lists since the late ’80s, imported by bassist Mike Gordon who heard the Mustangs performing it in a Bahamian hotel. Backed with the sweltering “Words To My Song,” this doubler-sider is a must for any sea side or pool side DJ. \u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"45 (Coke Bottle Clear)","offer_id":44355993632966,"sku":"ES056lp-C1","price":13.0,"currency_code":"USD","in_stock":true},{"title":"45","offer_id":40261693964486,"sku":"ES056lp","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40261693931718,"sku":"ES056dig","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/files\/ES056lp-C1_Mockup.png?v=1736435812"},{"product_id":"sonia-ross-let-me-be-free-bw-every-now-and-then","title":"Let Me Be Free b\/w Every Now And Then","description":"\u003cp\u003eThe rarest record to grace the orange and black Tragar label comes courtesy of Sonia Rossman, the fourteen-year-old lead soloist for Atlanta’s Union Baptist church. Pressed in a promotional-only run of 100 in 1969, the single would be the second to last on the Jesse Jones-run label. Shortened to Sonia Ross on the single, her original composition “Let Me Be Free” opts for a faster tempo, while the Jones-authored ballad “Every Now And Then” puts her back in Dionne Warwick and Roberta Flack territory. \u003cbr\u003e\n\u003cbr\u003e\nPressed in an edition of 200, this 45 was only available at Numero Factory Outlet: Atlanta, on April 22nd 2017. \u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"45","offer_id":40261830508742,"sku":"ES059lp","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/ES059_SoniaRoss_LetMeBeFree_45_Black.jpg?v=1658170386"},{"product_id":"kool-blues-can-we-try-love-bw-i-want-to-be-ready","title":"Can We Try Love b\/w I Want To Be Ready","description":"\u003cp\u003eThe Kool Blues second and final single was issued on Capsoul Records in 1974 right as Bill Moss’s Columbus, Ohio, powerhouse was going out of business. “Can We Try Love Again” finds John Primm and William Gilbert flexing their mid-tempo crossover muscles, while the flip “I Want To Be Ready” shows off the duo’s balladeering chops. \u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"45","offer_id":40262100549830,"sku":"ES064lp","price":12.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":40262100517062,"sku":null,"price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/ES064_KoolBlues_CanWeTryLove_45_Black.jpg?v=1657749660"},{"product_id":"step-by-step-time-after-time-bw-now-shes-gone","title":"Time After Time b\/w Now She's Gone","description":"\u003cp class=\"dropcap\"\u003eSoaring falsetto lead from 13-year-old Johnnie Gee, who, alongside brothers Jerome and Dewitt and a handful of kids from their Milwaukee stomping grounds, formed Step By Step in 1969. Gee and company’s 1972 sweet soul double sider for Jim Kirchstein’s regional powerhouse Cuca Records is among the rarest singles produced by the Sauk City outfit over its 13-year run, barely making it outside of Wisconsin before appearing on \u003ca href=\"http:\/\/dev.numerogroup.com\/products\/home-schooled-the-abcs-of-kid-soul\"\u003e\u003cem\u003eHome Schooled: The ABCs of Kid Soul\u003c\/em\u003e\u003c\/a\u003e. \u003cbr\u003e \u003cbr\u003e Both sides have been remastered from the original analog Cuca 1\/4\" tape, with two previously unreleased songs tacked onto the digital version.\u003c\/p\u003e","brand":"Numero Group","offers":[{"title":"45","offer_id":40262141313222,"sku":"ES065LP","price":12.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":40262141280454,"sku":"ES065dig1","price":4.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NUM065_StepByStep_TimeAfterTime_45_Black_43701613-3ffd-4dc7-a6f1-ad562bc0cc24.jpg?v=1657749356"},{"product_id":"the-mist-the-girl-in-the-window-bw-life-walked-out","title":"The Girl In The Window b\/w Life Walked Out","description":"\u003cp class=\"dropcap\"\u003eAmong the rarest singles cut for Chicago’s Twinight label, The Mist’s lone single was issued without the group’s knowledge or basic understanding that their name had been changed. “The Mist were ’in the mist,’” joked member Ray Foreman. The quartet began life as the Delmontes in Kansas City, slowly working their way to Chicago where they morphed into the Visitors. A deal with Brunswick’s Dakar subsidiary resulted in two heart stopping 45s at the tail end of the ’60s and a spot on the Brunswick revue with Barbara Acklin, the Chi-lites, the Artistics, and Tyrone Davis. When Brunswick lost interest, the quartet cut a shelved album for Barry Despenza’s Dispo concern before finding themselves in a production deal with a pre-Motown Mark Davis and his songwriting partners Leamon Cox and Willie Durham (who had already been responsible for the similarly mysterious Living Color and Third Creation singles for the Madhatter label). The trio would head to Motown’s staff shortly after The Mist failed to materialize on the charts, bringing the Third Creation with them. “The Girl In The Window” b\/w “Life Walked Out” were barely issued in February 1971, in what would be Twinight’s last year in business, and the group would not continue as either The Mist, or The Visitors.\u003c\/p\u003e\n\u003ch4 class=\"dropcap\"\u003e*Original Japanese Sleeve not included*\u003c\/h4\u003e","brand":"Numero Group","offers":[{"title":"45","offer_id":40262192136390,"sku":"TWI146LP","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/TWI146_TheMist_TheGirlInTheWindow_45_Black.jpg?v=1657738167"},{"product_id":"thelma-jones-i-cant-stand-it-bw-only-yesterday","title":"I Can't Stand It b\/w Only Yesterday","description":"\u003cp class=\"dropcap\"\u003eThe missing link between her Barry and Columbia singles, “I Can’t Stand It” b\/w “Only Yesterday” is Thelma Jones with her back against the wall of an empty and indifferent Holiday Inn lounge and nothing to lose. Washed out of the recording business by the age of 30, Jones and her then-husband\/manager James Hazley relocated to Tampa to work the hotel circuit and figure out what—if anything—was next. Following a chance encounter with Blair Mooney, Jones was invited to workshop a few stray originals at his Studio 70 compound in 1972. “He seemed to believe in me more than I did at the time,” Jones remembered of the Tampa studio impresario. Jones signed with Columbia a few years later and hightailed it out of The Big Guava, leaving two sides of country-politan soul on the shelf to be forgotten about. \u003cbr\u003e\n\u003cbr\u003e\nThis Eccentric Soul 45 is a first time issue, carrying the banner of Mooney’s Gimp label and mastered directly from the original analog tapes.\u003c\/p\u003e\n","brand":"Numero Group","offers":[{"title":"45","offer_id":40262367903942,"sku":"ES066lp","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NUM066_ThelmaJones_ICantStandIt_45_Black.jpg?v=1657734630"},{"product_id":"eula-cooper-try-bw-let-our-love-grow-higher","title":"Try b\/w Let Our Love Grow Higher","description":"\u003cp\u003eTwo burning northern soul sides from the deep south, cut under the watchful eye of producer extraordinaire Jesse Jones. Issued originally on Jones’ \u003ca href=\"http:\/\/www.numerogroup.com\/d\/eccentric-soul-the-tragar-note-labels\"\u003eTragar\u003c\/a\u003e and Super Sound labels in 1969 and ’70, respectively, both sides showcase 16-year-old Eula Cooper’s tender pipes, climbing octave to octave while a barrage of syrupy strings, woodwinds, and in-the-pocket drumming take care of the rest. Issued in conjunction with Japan’s Disk Union, this pic-sleeve 45 is limited to 500 copies worldwide, and just 100 of those are available at the Numero site only. \u003c\/p\u003e\n","brand":"Numero","offers":[{"title":"45 (Black Vinyl)","offer_id":40262699974854,"sku":"ES069lp","price":12.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":40262699942086,"sku":"ES069digital","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/ES069_EulaCooper_Try_45_Black.jpg?v=1657152549"}],"url":"https:\/\/numerogroup.com\/collections\/eccentric-soul-45s-1.oembed?page=4","provider":"Numero Group","version":"1.0","type":"link"}