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Don’t be afraid.\u003c\/p\u003e\n\n","brand":"Numero","offers":[{"title":"5LP + Book","offer_id":40261514690758,"sku":"NUM204LP","price":60.0,"currency_code":"USD","in_stock":false},{"title":"5LP White Vinyl + Book","offer_id":40415836733638,"sku":"NUM204lp-C1","price":85.0,"currency_code":"USD","in_stock":false},{"title":"3xCD + Book","offer_id":41156204036294,"sku":"NUM204CD","price":21.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NUM204_WhiteZombie_ItCameFromNYC_LP_Black.jpg?v=1659035512"},{"product_id":"the-scientists-a-place-called-bad","title":"A Place Called Bad","description":"\u003cp\u003eWith a sound that was swampy, primal and modern-urban all at once—as much in the tradition of rock n’ roll and punk rock as it was a rejection of those things, the Scientists’ formula was as universal as it was specific to their own experience. The themes of getting wasted, driving around in hotted-up cars, being trapped in crap jobs, and paranoia were their subject matter. Machine throb bass and drums with jagged car-wreck guitars were their modus operandi. Fitting into no place or time they spurned all but the most rudimentary and elemental of rock structures to create a sound all their own. \u003cbr\u003e\n\u003cbr\u003e\nQuadruple CD includes their complete studio recordings, live recordings, and a previously unissued set from Adelaide UniBar, plus dozens of previously unpublished photographs, discography, and fold out Perth Punk family tree. Double LP version boils the box down to 22 essentials, plus unpublished photographs, discography, and fold out Perth Punk family tree. \u003c\/p\u003e\n\n","brand":"Numero","offers":[{"title":"2xLP (White and Black Haze)","offer_id":40261548736710,"sku":"NUM206lp-C1","price":27.0,"currency_code":"USD","in_stock":true},{"title":"2xLP","offer_id":40261548540102,"sku":"NUM206LP","price":24.0,"currency_code":"USD","in_stock":true},{"title":"4 x CD","offer_id":41170436915398,"sku":"NUM206cd","price":40.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":40261548507334,"sku":"NUM206dig","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NUM206_TheScientists_APlaceCalledBad_LP_BlackAndWhiteHaze.jpg?v=1659116824"},{"product_id":"noise-addict-10000-kids-with-guitars","title":"10,000 Kids With Guitars","description":"\u003cp\u003eWhat does teen spirit smell like, anyway? It might smell something like Noise Addict. Like the real life stars of some sort of choose-your-own-adventure book about pursuing rock stardom, few bands ever led a more charmed existence, springing from the Sydney suburb of Bondi into seemingly overnight international fame as friends and collaborators of Sonic Youth, Fugazi, and the Beastie Boys. Through a combination of relentless drive, luck, and an admirable lack of self-doubt, Noise Addict spanned puberty to surpass the haters and join Radio Birdman and Nick Cave as a strange but permanent piece of Australian punk history. \u003cbr\u003e\n\u003cbr\u003e\nCompiled here are 25 tracks, including their Evan Dando-worshipping satire “I Wish I Was Him,” the Thurston Moore produced demo, choice cuts from their Grand Royal-issued EP and LP, and covers of “Let’s Lynch The Landlord” and “Back In Your Life.” The entire sordid adolescent tale is covered in incredible detail inside the black and white 16 page zine. And finally, for the first time in the history of record pressing, and for no good reason at all, the cover for \u003cem\u003e10,000 Kids With Guitars\u003c\/em\u003e doubles as a working chalkboard. \u003c\/p\u003e\n","brand":"Numero","offers":[{"title":"2xLP","offer_id":40261784928454,"sku":"NUM207LP","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40261784895686,"sku":"NUM207dig1","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NUM207_NoiseAddict_10000KidsWithGuitars_LP_Black.jpg?v=1658253272"},{"product_id":"unwound-fake-train","title":"Fake Train","description":"\u003cp\u003eAfter the Pacific Northwest grunge raids of the early ’90s that saw Nirvana, Mudhoney, and even the Melvins hoisted up the major label flagpole, Unwound’s 1993 debut came as a welcomed reprieve for underground noise-niks everywhere. A pulsing cluster of wiry feedback, lurching bass, and single stroke rolls, \u003cem\u003eFake Train\u003c\/em\u003e entangles the energies of frustrated backpack emo, faded \u003cem\u003eRiot Grrrl\u003c\/em\u003e back issues, and their own dash of teen spirit and unleashes it all in an earsplitting 10-song assault. \u003c\/p\u003e\n","brand":"Numero","offers":[{"title":"CD","offer_id":43226418806982,"sku":"NUM1291cd","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Opaque Pink Vinyl","offer_id":42986936271046,"sku":"NUM1291lp-C2","price":26.0,"currency_code":"USD","in_stock":true},{"title":"Spaced Out Silver Vinyl","offer_id":42057826271430,"sku":"NUM1291lp-C1","price":26.0,"currency_code":"USD","in_stock":false},{"title":"LP","offer_id":41156216127686,"sku":"NUM1291LP","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":42621647356102,"sku":"NUM1291cass","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":40261797970118,"sku":"NUM1291dig","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/files\/NUM1291UNWOUND_FakeTrain_Pink.png?v=1706020025"},{"product_id":"crimpshrine-duct-tape-soup","title":"Duct Tape Soup","description":"\u003cp\u003eBefore Green Day, Operation Ivy, and Lookout Records put the East Bay’s burgeoning punk scene on the map, a trio of Berkeley kids were reinventing the genre with music that was melodic but full of feedback, and a singer who sounded like he gargled glass. Crimpshrine's debut EP was Lookout’s fourth release, followed by an album, a second EP, and a slew of split singles and compilation tracks before the band imploded in 1989 after a ridiculous two-and-a-half-month tour in a Ford Pinto hatchback. Formed around teenage binary stars Jeff Ott and Aaron Cometbus, Crimpshrine went through a series of lineups in their four-year run, utilizing future Tilt and Go Sailor bassists Pete Rypins and Paul Curran, and briefly including second guitarist Idon Bryant. Not overtly political, their fiery brand of introspective punk touched on homelessness, teenage pregnancy, drug use, friendship, isolation, and a grimy sort of romance. \u003cbr\u003e\n\u003cbr\u003e\n\u003cem\u003eDuct Tape Soup\u003c\/em\u003e is their Lookout-rejected 1988 debut LP that was parsed out to various compilations and split 7”s before being recompiled for Larry Livermore’s punk institution in 1992. After Lookout’s unfortunate demise at the turn of the century, the album went out of print. In cooperation with the band, we’ve remastered the recordings and freshened up the accompanying booklet to make the perfect legacy edition of this ’80s punk classic. \u003c\/p\u003e\n","brand":"Numero","offers":[{"title":"LP","offer_id":40261805408454,"sku":"NUM1236lp","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NUM1236_Crimpshrine_DuctTapeSoup_LP_Black.jpg?v=1658250979"},{"product_id":"crimpshrine-the-sound-of-a-new-world-being-born","title":"The Sound Of A New World Being Born","description":"\u003cp\u003eBefore Green Day, Operation Ivy, and Lookout Records put the East Bay’s burgeoning punk scene on the map, a trio of Berkeley kids were reinventing the genre with music that was melodic but full of feedback, and a singer who sounded like he gargled glass. Crimpshrine’s debut EP was Lookout’s fourth release, followed by an album, a second EP, and a slew of split singles and compilation tracks before the band imploded in 1989 after a ridiculous two-and-a-half-month tour in a Ford Pinto hatchback. Formed around teenage binary stars Jeff Ott and Aaron Cometbus, Crimpshrine went through a series of lineups in their four-year run, utilizing future Tilt and Go Sailor bassists Pete Rypins and Paul Curran, and briefly including second guitarist Idon Bryant. Not overtly political, their fiery brand of introspective punk touched on homelessness, teenage pregnancy, drug use, friendship, isolation, and a grimy sort of romance. \u003cbr\u003e\n\u003cbr\u003e\n\u003cem\u003eSound Of A New World Being Born\u003c\/em\u003e compiles their two Lookout singles \u003cem\u003eSleep What’s That\u003c\/em\u003e and \u003cem\u003eQuit Talkin’ Claude E.P.\u003c\/em\u003e with a handful of compilation and split 7\" tracks. In cooperation with the band, we’ve remastered the 16-track album and freshened up the accompanying poster to make the perfect legacy edition of this ’80s punk classic. \u003c\/p\u003e\n","brand":"Numero","offers":[{"title":"LP","offer_id":40261808914630,"sku":"NUM1237lp","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NUM1237_Crimpshrine_TheSoundOfANewWorldBeingBorn_LP_Black.jpg?v=1658250631"},{"product_id":"crimpshrine-7-song-demo-berkeley-sampler","title":"7 Song Demo + Berkeley Sampler","description":"\u003cp\u003eVinyl reissue of the original Cometbus-issued 1987 cassette \u003cem\u003e7 Song Demo + Berkeley Sampler\u003c\/em\u003e. The A-Side is Crimpshrine’s first demo, while side B-side is the Rosetta Stone of Berkeley punk, with members of Operation Ivy, Samiam, Rancid, Tilt, and Wynona Riders in their earlier, teenage bands. Limited to 1000 copies. Includes limited edition, Cometbus-penned history of East Bay Punk fold out poster. \u003c\/p\u003e\n","brand":"Numero","offers":[{"title":"LP","offer_id":40261816713414,"sku":"NUM1236.5lp","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NUM1236_5_Crimpshrine_7SongDemo_BerkeleySampler_LP_Black.jpg?v=1658170799"},{"product_id":"warfaring-strangers-acid-nightmares","title":"Acid Nightmares","description":"\u003cp\u003eAs the hippie movement hurtled towards its imminent demise, bad vibes infiltrated the rock world. Tainted LSD, loud motorcycles, and a series of brutal deaths spawned inspiration for guitar-wielding teenagers across the globe. Implementing deafening fuzz and satanic screams to create their proto-metal monstrosities, short-lived stoner bands pressed their lysergic experiments in microscopic quantities before blacking out entirely. Lifted from the ashes of the acid rock hell fire are 18 distorted tales of dope fiends, pill poppers, and the baddest of trips. \u003cbr\u003e\n\u003cbr\u003e\nDeluxe 2LP comes housed in a blacklight poster-style jacket illustrated by \u003ca href=\"http:\/\/www.benjaminmarra.com\/\"\u003eBenjamin Marra\u003c\/a\u003e, replete with flocking and lysergic neon. 24 pages documenting the creeping existential dread of the hard rock underground are tucked into the gatefold pocket alongside two dead dinosaur-heavy LPs. Compact disc is packaged in standard Numero slipcase, with digipak and 40-page book, limited to 2000 copies.\u003c\/p\u003e\n\u003cp class=\"dropcap\"\u003eIn the fall of 1967, signs of San Francisco’s darkening fell like leaves. The transient young people who’d invaded the Bay Area to cash in on the media’s cheap drugs\/free love promises had departed for points east. Haight-Ashbury, what remained of it, had become an open-air market for illicit substances, overrun with speed freaks, panhandlers, and Hell’s Angels motorcycle club adherents. Throughout the summer, leather-clad Hells Angels had become a fixture in the San Francisco scene, their Harleys crowding sidewalks outside the Fillmore West and the Carousel Ballroom, on nights when hometown rock n’ roll heroes the Grateful Dead or Big Brother and the Holding Company crowded the stage.\u003cbr\u003e\n\u003cbr\u003e\nHippie harbingers Ken Kesey and his Merry Pranksters had established ties to the Angels in ’65, introducing the biker brutes to LSD at a house happening in the hills of nearby La Honda. The Angels turned on and, for the most part, got along with psychedelic types who just liked to get high and groove. They loathed Berkeley’s politico set and were far from peaceniks. In less than two decades of activity, Angels had racked up more than 800 felony arrests—for sexual aberrations, drug charges, assault, and even attempted murder. On August 24, 1967, a prominent Hell’s Angel known as Chocolate George cruised Haight and crashed—at high speed and most likely high otherwise—into the back of a ’55 Chevy. For droves of locals, the demise of Chocolate George signified the Summer of Love’s departure.\u003c\/p\u003e\n\u003cp\u003eFrom his apartment at 369 Haight Street, San Francisco musician Dickie Peterson looked down on the deathscape of Chocolate George’s last ride. At summer’s end, suffused with the Haight’s baddest vibes, Peterson and his bandmates took to Amigo Studios in North Hollywood to capture their fried acid trips on tape. They named themselves Blue Cheer, after a potent strain of LSD cooked up by Grateful Dead engineer and chemist Augustus Owsley Stanley. \u003cem\u003eVincebus Eruptum\u003c\/em\u003e—mangled Latin for some kind of conquering eruption—emerged at the dawn of ‘68. The LP’s lead single was a fuzzed-over rendition of Eddie Cochran’s 1954 hit, “Summertime Blues.” On May 4, 1968, the single hit #14 on the \u003cem\u003eBillboard\u003c\/em\u003e Hot 100, sending fuzz-fueled acid rock into wildfire combustion. With pained ears and expanded minds, early Stateside adopters wasted little time cutting their own lysergic episodes to wax.\u003cbr\u003e\n\u003cbr\u003e\nIn 1968, Ty Gilliland was introduced to hard drugs by a member of the Outlaws motorcycle club after a gig in Columbus, Ohio. “They liked us enough because we played some Stones songs,” Gilliland said. “One of the Outlaws they called Muscles came up to me after a show. He held out his hand and said, ‘This’ll make you feel better.’ It was speed. Boy, I could sure play fast on that stuff.” And so he did. One amphetamine addiction later, Gilliland wrote “Speed Freak” for his band, The Rituals. Four hundred miles away, on the eastern seaboard, Baltimore high schoolers The Cross Blood Experiment were turning on with LSD—Orange Sunshine, specifically, a varietal concocted by the Brotherhood Of Eternal Love. They named their distortion-drenched single after the stuff, and made the drug’s effects sound far less than sunny. The embodiment of a bad trip, it comes on slowly, weaving vivid lyrical trails before speeding on into a rhythmic gallop beside an unhinged guitar solo. Out in Kansas City, Paul Parkinson of \u003ca href=\"http:\/\/www.numerogroup.com\/products\/bulbous-creation-you-wont-remember-dying\"\u003eBulbous Creation\u003c\/a\u003e was having just as little fun, on pot or smack or whatever it was that had him “Hooked.” “I’m sick of hearing myself,” he sang. “My head hurts like hell. My mouth so dry I can’t spit. Oh Lord, I wish I had another hit.”\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003eDarkness billowed out of the psychedelic cloud in the final weeks of 1969. In the months leading up to the West Coast answer to Woodstock, lurid tales of Charles Manson’s deathcult and their affiliations with rock’s literati had spilled across the headlines. The Rolling Stones, Jefferson Airplane, Santana, and Crosby, Stills, Nash, and Young were set to share the bill at Altamont Speedway in northern California on December 6. Bad vibes disturbed the air long before sunrise. Concert-goers arrived the night before, ill-prepared for near-freezing temperatures; for warmth, they burned fencing, garbage, and rock show road cases, adding a crusty stench to a cold, dusty valley. As the morning rolled on, the highway leading to Altamont clogged for miles. Hell’s Angels showed up for security duty, parting the dense crowd on 800-pound metal bikes. By noon, the medical tent overflowed with acid casualties. An hour later, when Santana took the stage, the Angels had long since helped themselves to handfuls of uppers, downers, wine, joints, and the $500 beer allotment they’d received in lieu of pay. Power-mad, they descended on any fan who posed even the slightest threat, unleashing flurries of fists and pool cues. At sundown, the Stones mounted the stage, as tension filled the air. \"The vibes were bad,” Grace Slick recalled. \"It was that kind of hazy, abrasive and unsure day. I had expected the loving vibes of Woodstock but that wasn't coming at me. This was a whole different thing.\" Breaking point at Altamont and “Under My Thumb” arrived together, when a juiced-up Angel stabbed 18-year-old fan Meredith Hunter repeatedly with a buck knife. Hunter had been armed; he’d been on speed; he died of his wounds. The 1960s were officially fried. \u003cbr\u003e\n\u003cbr\u003e\nNoxious fumes quickly crossed the Atlantic, as evidenced by Black Sabbath’s emergence from the haze on a Friday the 13th in February of 1970 with their \u003cem\u003eBillboard\u003c\/em\u003e debut LP. It’s a record that bears the pall of the sunny ’60s into a drug-addled English wood; lyrics are written in Lucifer’s voice, and “The Wizard” is as much an ode to Gandalf as it is to the band’s dealer. Sabbath countrymen Brass Alley and Sardonicus got the memo, dropping pink pills on the way toward eroding their own brains. In Portugal, the like-minded band Xarhanga didn’t even bother to mince words, delivering an actual “Acid Nightmare” that spun at 45 RPM. And a Viennese group called Novak’s Kapelle planted a flag firmly in the drug rock canon with their daring single “Hypodermic Needle,” its message mangled by a language barrier and a misunderstanding of what exactly was happening in the U.S. rock scene.\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003eAs the ’70s dragged on, a deep, dark hangover set in. In the American Midwest, Whistler’s Mother, TNS, and Gollum came in dehydrated and fumbling with the child-proof cap on a bottle of expired aspirin before issuing “Dark Dawn,” “Times Up,” and “Prayer of Despair.” In the south, the Shy Guys fretted about the dangers of lightning, Mass Temper wrote an ode to a drunk driving casualty, and The Purple Sun preached of “Doomsday.” Terre Haute, Indiana’s Goliath had made most of their career abusing drugs, but the comedown came at a terrible cost. “I had two guitar players and both of them committed suicide,” said Goliath drummer Steve Peterson. “In those days, it was very hard to keep young guys straight.”\u003cbr\u003e\n\u003cbr\u003e\nThe nightmare is over, but the flashbacks remain.\u003cbr\u003e\n\u003c\/p\u003e\n\n\n\n\t\u003cimg src=\"https:\/\/s3.amazonaws.com\/numero-cdn\/images\/atoms\/warfaring-strangers-acid-nightmares\/atom-1601587769.jpg\"\u003e","brand":"Numero","offers":[{"title":"2xLP (Neon Blotter Swirl Vinyl)","offer_id":42683661091014,"sku":"NUM068LP-C11","price":33.0,"currency_code":"USD","in_stock":true},{"title":"2xLP (Neon Purple Vinyl)","offer_id":40261848596678,"sku":"NUM068lp-C7","price":33.0,"currency_code":"USD","in_stock":false},{"title":"2xLP (Neon Green Vinyl)","offer_id":40261848629446,"sku":"NUM068lp-C8","price":33.0,"currency_code":"USD","in_stock":true},{"title":"2xLP (Neon Yellow Vinyl)","offer_id":40261848662214,"sku":"NUM068lp-C9","price":33.0,"currency_code":"USD","in_stock":true},{"title":"2xLP","offer_id":40261848367302,"sku":"NUM068lp","price":30.0,"currency_code":"USD","in_stock":true},{"title":"2xLP (Blue Heaven Vinyl)","offer_id":41170997149894,"sku":"NUM068LP-C6","price":33.0,"currency_code":"USD","in_stock":false},{"title":"2xLP (Orange Sunshine Vinyl)","offer_id":41170997870790,"sku":"NUM068LP-C4","price":33.0,"currency_code":"USD","in_stock":false},{"title":"2xLP (Window Pane Vinyl)","offer_id":41170999509190,"sku":"NUM068LP-C2","price":33.0,"currency_code":"USD","in_stock":false},{"title":"2xLP (Electric Kool Aid Vinyl)","offer_id":41171000361158,"sku":"NUM068LP-C5","price":33.0,"currency_code":"USD","in_stock":false},{"title":"2xLP (Neon Pink Vinyl)","offer_id":40261848563910,"sku":"NUM068lp-C10","price":33.0,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":41176010490054,"sku":"NUM068cd","price":15.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":40261848334534,"sku":"NUM068dig","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/files\/NUM068lp-C11WarfaringStrangersAcidNightmares2xLPNeonBlotterSwirlVinyl.png?v=1683571838"},{"product_id":"hsker-d-savage-young-d","title":"Savage Young Dü","description":"\u003cp\u003eExperience the punishing sonic origins of a punk icon. Collected here for the first time, and skillfully remastered from original board tapes, demos, and session masters, this collection is an authoritative chronicling of the wellspring and maturation of Grant Hart, Greg Norton and Bob Mould—three St. Paul teenagers who’d go on to become the most heralded trio of the American punk underground. Follow the Hüskers to their earliest gigs in 1979, through extensive road dog touring, and to the start of their partnership with West Coast tastemaker SST in 1983 via a 108-page hardbound book crammed full of photos, flyers, and a sprawling essay with participation from the band. Spread across four LPs, 47 of the 69 songs compiled here are previously unissued, and includes \u003cem\u003eIn A Free Land\u003c\/em\u003e, \u003cem\u003eEverything Falls Apart\u003c\/em\u003e, and an alternate \u003cem\u003eLand Speed Record\u003c\/em\u003e.\u003c\/p\u003e\n\n\n","brand":"Numero","offers":[{"title":"4xLP (Black Vinyl) + Book  + 7in (Colored Vinyl Version)","offer_id":40261888213190,"sku":"NUM200LP-C1bn","price":120.0,"currency_code":"USD","in_stock":false},{"title":"4xLP + Book","offer_id":40261888049350,"sku":"NUM200LP","price":100.0,"currency_code":"USD","in_stock":false},{"title":"3CD + Book","offer_id":40261888082118,"sku":"NUM200CD","price":21.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NUM200_HuskerDu_SavageYoungDu_LP_Black_7in_6f84805b-832c-4eea-b18d-de3d844c5521.jpg?v=1657929241"},{"product_id":"hsker-du-extra-circus","title":"Extra Circus","description":"\u003cp\u003eWhen Hüsker Dü lit out for the west coast a few days after Xmas 1982, they did so with twelve new songs in the chamber. 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Farina and Vitt’s gentle guitars nearly mirror each other as they carry the drawn-out tension of “The New Hangout Condition” to its equanimous conclusion, though Karate wouldn’t hold that mood for long; they made quick work of disrupting such peacefulness with the needling disquiet that opens “On Cutting,” a rare track that cast a spotlight on Vitt’s understated vocals. Karate emboldened the quiet moments of \u003cem\u003eIn Place of Real Insight\u003c\/em\u003e with the same forcefulness of its archly punk cuts, effectively allowing the tenderness that blankets “Today Or Tomorrow” to coexist alongside their rough-hewn material. Karate made sense of seemingly polarizing styles, and \u003cem\u003eIn Place of Real Insight\u003c\/em\u003e is arguably their best album because they allowed such disparate parts to co-mingle. In a subversive music community oscillating between radical polemics and hair-splitting musical orthodoxy, Karate were a question mark—one that exhibited the scene’s best instincts, because they sounded like few others.\u003cbr\u003e\n\u003c\/p\u003e\n","brand":"Numero","offers":[{"title":"LP (Indigo Die Dye Vinyl)","offer_id":42487504371910,"sku":"NUM904lp-C3","price":27.0,"currency_code":"USD","in_stock":true},{"title":"LP (Metallic Gold Vinyl)","offer_id":40390790447302,"sku":"NUM904lp-C1","price":26.0,"currency_code":"USD","in_stock":false},{"title":"LP (Black Vinyl)","offer_id":40390786810054,"sku":"NUM904lp","price":25.0,"currency_code":"USD","in_stock":false},{"title":"Cassette","offer_id":40390795821254,"sku":"NUM904cass","price":12.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":40263390232774,"sku":"NUM904digital","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/1650\/7846\/products\/NUM904LP-C3KarateIPORIIndigoDieDye.png?v=1669998297"},{"product_id":"blonde-redhead-blonde-redhead","title":"Blonde Redhead","description":"\u003cp class=\"dropcap\"\u003eFeral art rock from the gritty depths of ’90s Manhattan. 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